| The first excerpt represents the past or something you must release, and is drawn from Othello by William Shakespeare: Othel. Haue with you
Cassio. Here comes another Troope to seeke for you.
Enter Brabantio, Rodorigo, with Officers, and Torches.
Iago. It is Brabantio: Generall be aduis'd,
He comes to bad intent
Othello. Holla, stand there
Rodo. Signior, it is the Moore
Bra. Downe with him, Theefe
Iago. You, Rodorigo? Come Sir, I am for you
Othe. Keepe vp your bright Swords, for the dew will
rust them. Good Signior, you shall more command with
 Othello |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Road to Oz by L. Frank Baum: time he forgot he wore a fox head.
Afterward they went back to the palace and slept in soft beds stuffed
with feathers; for the foxes raised many fowl for food, and used their
feathers for clothing and to sleep upon.
Dorothy wondered why the animals living in Foxville did not wear just
their own hairy skins as wild foxes do; when she mentioned it to King
Dox he said they clothed themselves because they were civilized.
"But you were born without clothes," she observed, "and you don't seem
to me to need them."
"So were human beings born without clothes," he replied; "and until
they became civilized they wore only their natural skins. But to
 The Road to Oz |
The third excerpt represents the future or something you must embrace, and is drawn from An Unsocial Socialist by George Bernard Shaw: to be had. The sole resort of his labor was the evidence of the
boy whom he didn't believe.
"'Im!" said the inspector, not quite pleased by Fairholme's zeal,
and yet overborne by it. "You're Wickens's boy, ain't you?"
"Yes, I am Wickens's boy," said the witness, partly fierce,
partly lachrymose, "and I say I seen him, and if anyone sez I
didn't see him, he's a lie."
"Come," said the inspector sharply, "give us none of your cheek,
but tell us what you saw, or you'll have to deal with me
afterwards."
"I don't care who I deal with," said the boy, at bay. "I can't be
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