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Today's Stichomancy for Leonard Cohen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Oedipus Trilogy by Sophocles:

OEDIPUS The knave methinks will still prevaricate.

HERDSMAN Nay, I confessed I gave it long ago.

OEDIPUS Whence came it? was it thine, or given to thee?

HERDSMAN I had it from another, 'twas not mine.

OEDIPUS From whom of these our townsmen, and what house?

HERDSMAN


Oedipus Trilogy
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sylvie and Bruno by Lewis Carroll:

a tree, and the other isn't!"

It appeared to me that a conversation would scarcely be 'comfable' while trees were being climbed, even if both the 'peoples' were doing it: but it was evidently dangerous to oppose any theory of Bruno's; so I thought it best to let the question drop, and to ask for an account of the machine that made things longer.

This time Bruno was at a loss, and left it to Sylvie. "It's like a mangle," she said: "if things are put in, they get squoze--"

"Squeezeled!" Bruno interrupted.

"Yes." Sylvie accepted the correction, but did not attempt to pronounce the word, which was evidently new to her. "They get--like that--and


Sylvie and Bruno
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from To-morrow by Joseph Conrad:

"Five quid," he answered, promptly. "We let our spree go on a little too long and got hard up."

"You've been drinking?" she said.

"Blind three days; on purpose. I am not given that way--don't you think. There's nothing and nobody that can get over me unless I like. I can be as steady as a rock. My chum sees the paper this morning, and says he to me: 'Go on, Harry: loving parent. That's five quid sure.' So we scraped all our pockets for the fare. Devil of a lark!"


To-morrow
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Barnaby Rudge by Charles Dickens:

stale debauch, and reeking yet with pot-house odours. In lieu of buckles at his knees, he wore unequal loops of packthread; and in his grimy hands he held a knotted stick, the knob of which was carved into a rough likeness of his own vile face. Such was the visitor who doffed his three-cornered hat in Gashford's presence, and waited, leering, for his notice.

'Ah! Dennis!' cried the secretary. 'Sit down.'

'I see my lord down yonder--' cried the man, with a jerk of his thumb towards the quarter that he spoke of, 'and he says to me, says my lord, "If you've nothing to do, Dennis, go up to my house and talk with Muster Gashford." Of course I'd nothing to do, you


Barnaby Rudge