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Today's Stichomancy for Leonard Cohen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs:

ance had so quickly reached was not his had never for a moment entered his head. To him the fault was all his; and perhaps it was this quality of chivalry that was the finest of the many noble characteristics of his sterling character. So his next words were typical of the man; and did Joan de Tany love him, or did she not, she learned that night to respect and trust him as she respected and trusted few men of her acquain- tance.

"My Lady," said Norman of Torn, "we have been through much, and we are as little children in a dark


The Outlaw of Torn
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Last War: A World Set Free by H. G. Wells:

result of this rapid release of energy was gold. But the thing was done--at the cost of a blistered chest and an injured finger, and from the moment when the invisible speck of bismuth flashed into riving and rending energy, Holsten knew that he had opened a way for mankind, however narrow and dark it might still be, to worlds of limitless power. He recorded as much in the strange diary biography he left the world, a diary that was up to that particular moment a mass of speculations and calculations, and which suddenly became for a space an amazingly minute and human record of sensations and emotions that all humanity might understand.


The Last War: A World Set Free
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Soul of Man by Oscar Wilde:

What does it mean? What is a healthy, or an unhealthy work of art? All terms that one applies to a work of art, provided that one applies them rationally, have reference to either its style or its subject, or to both together. From the point of view of style, a healthy work of art is one whose style recognises the beauty of the material it employs, be that material one of words or of bronze, of colour or of ivory, and uses that beauty as a factor in producing the aesthetic effect. From the point of view of subject, a healthy work of art is one the choice of whose subject is conditioned by the temperament of the artist, and comes directly out of it. In fine, a healthy work of art is one that has both perfection and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Duchesse de Langeais by Honore de Balzac:

northern kinsfolk were most kind in every way----"

"Yes, to be sure. The Comte de Montriveau died at St. Petersburg," said the Vidame. "I met him there. He was a big man with an incredible passion for oysters."

"However many did he eat?" asked the Duc de Grandlieu.

"Ten dozen every day."

"And did they not disagree with him?"

"Not the least bit in the world."

"Why, that is extraordinary! Had he neither the stone nor gout, nor any other complaint, in consequence?"

"No; his health was perfectly good, and he died through an