| The first excerpt represents the past or something you must release, and is drawn from Ferragus by Honore de Balzac: and Clemence had been together thus,--each in a corner; usually the
husband pressed close to his wife.
"It is very cold," remarked Madame Jules.
But her husband did not hear her; he was studying the signs above the
shop windows.
"Clemence," he said at last, "forgive me the question I am about to
ask you."
He came closer, took her by the waist, and drew her to him.
"My God, it is coming!" thought the poor woman. "Well," she said
aloud, anticipating the question, "you want to know what Monsieur de
Maulincour said to me. I will tell you, Jules; but not without fear.
 Ferragus |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Idylls of the King by Alfred Tennyson: Behind his ankle twined her hollow feet
Together, curved an arm about his neck,
Clung like a snake; and letting her left hand
Droop from his mighty shoulder, as a leaf,
Made with her right a comb of pearl to part
The lists of such a board as youth gone out
Had left in ashes: then he spoke and said,
Not looking at her, 'Who are wise in love
Love most, say least,' and Vivien answered quick,
'I saw the little elf-god eyeless once
In Arthur's arras hall at Camelot:
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The third excerpt represents the future or something you must embrace, and is drawn from Essays of Francis Bacon by Francis Bacon: counsel, than of him that is counselled. For which
inconveniences, the doctrine of Italy, and practice
of France, in some kings' times, hath introduced
cabinet counsels; a remedy worse than the disease.
As to secrecy; princes are not bound to commu-
nicate all matters, with all counsellors; but may
extract and select. Neither is it necessary, that he
that consulteth what he should do, should declare
what he will do. But let princes beware, that the
unsecreting of their affairs, comes not from them-
selves. And as for cabinet counsels, it may be their
 Essays of Francis Bacon |