The first excerpt represents the past or something you must release, and is drawn from A Heap O' Livin' by Edgar A. Guest: used to do;
I'd like the tattered shirt again, the knickers
thick with dirt again,
The ugly, dusty feet again that long ago I
knew.
I'd like to play first base again, and Sliver's
curves to face again,
I'd like to climb, the way I did, a friendly
apple tree;
For, knowing what I do to-day, could I but
wander back and play,
A Heap O' Livin' |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Bab:A Sub-Deb, Mary Roberts Rinehart by Mary Roberts Rinehart: better say nothing about last night's mystery. But suppose you
bring your car to meet me tonight at the station, and we will take
a ride, avoiding milk wagons if possible. You might bring your
check book, too, and the revolver, which we had better bury in some
quiet spot.
FATHER.
P. S. I have mentioned to your mother that I am thinking of buying
you a small car. VERBUM SAP.
* * * *
The next day my mother took me calling, because if the Servants
were talking it was best to put up a bold front, and pretend that
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The third excerpt represents the future or something you must embrace, and is drawn from Under the Andes by Rex Stout: pulling not five feet away. But I stood motionless, saving my
spear and my strength for any who might try to force an entrance.
Soon the crevice was clear, and from where I stood I commanded
a view of something like three-quarters of the ledge. It was one
mass of black forms, packed tightly together, gazing at our
retreat.
They looked particularly silly and helpless to me then,
rendered powerless as they were by a little bit of rock. Brute
force was all they had; and nature, being the biggest brute of all,
laughed at them.
But I soon found that they were not devoid of resource. For
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