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Today's Stichomancy for Leonardo DiCaprio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from St. Ives by Robert Louis Stevenson:

parts of the 'Old Bailey Sessions Papers' by Gurney the shorthand writer; and the choice depicts his character to a hair. You can imagine how his new prospects brightened on a boy of this disposition. To be the servant and companion of a fugitive, a soldier, and a murderer, rolled in one - to live by stratagems, disguises, and false names, in an atmosphere of midnight and mystery so thick that you could cut it with a knife - was really, I believe, more dear to him than his meals, though he was a great trencherman, and something of a glutton besides. For myself, as the peg by which all this romantic business hung, I was simply idolised from that moment; and he would rather have sacrificed his

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rinkitink In Oz by L. Frank Baum:

long whips.

Inga found many of the men from Pingaree among these slaves, but King Kitticut was not in this cavern; so they passed through it and entered another corridor that led to a second cavern. Here also hundreds of men were working, but the boy did not find his father amongst them, and so went on to a third cavern.

The corridors all slanted downward, so that the farther they went the lower into the earth they descended, and now they found the air hot and close and difficult to breathe. Flaming torches were stuck into


Rinkitink In Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Dunwich Horror by H. P. Lovecraft:

to everybody; an' I think he an' Ol' Whateley must a raised suthin' in that there nailed-up haouse as ain't even so human as he was. They's allus ben unseen things araound Dunwich - livin' things - as ain't human an' ain't good fer human folks. 'The graoun' was a-talkin' las' night, an' towards mornin' Cha'ncey he heered the whippoorwills so laoud in Col' Spring Glen he couldn't sleep nun. Then he thought he heered another faint-like saound over towards Wizard Whateley's - a kinder rippin' or tearin' o' wood, like some big box er crate was bein' opened fur off. What with this an' that, he didn't git to sleep at all till sunup, an' no


The Dunwich Horror
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Country Doctor by Honore de Balzac:

brief authority have never given a serious thought to the consequences that must follow an act of injustice done to a man of the people. It is true that a poor man who needs must work for his daily bread cannot long keep up the struggle; but he can talk, and his words find an echo in every sufferer's heart, so that one bad case of this kind is multiplied, for every one who hears of it feels it as a personal wrong, and the leaven works. Even this is not so serious, but something far worse comes of it. Among the people, these causes of injustice bring about a chronic state of smothered hatred for their social superiors. The middle class becomes the poor man's enemy; they lie without the bounds of his moral code, he tells lies to them and