Today's Stichomancy for Leonardo DiCaprio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:

the stern.

"You've shot nothing," says Case.

"I'm not on the shoot to-day," said I.

"Well, the devil go with you for me," says he.

"The same to you," says I.

But we stuck just the way we were; no fear of either of us moving.

Case laughed. "We can't stop here all day, though," said he.

"Don't let me detain you," says I.

He laughed again. "Look here, Wiltshire, do you think me a fool?" he asked.

"More of a knave, if you want to know," says I.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Rig Veda:

up to Daivavata.

8 Two wagon-teams, with damsels, twenty oxen, O Agni, Abhydvartin Cayamdna, The liberal Sovran, giveth me. This guerdon of Prthu's seed is hard to win from others. HYMN XXVIII. Cows.

The Rig Veda

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Last War: A World Set Free by H. G. Wells:

and I, who seemed to be no more than the stuffing inside a regal robe, I am a king among kings. I have to play my part at the head of things and put an end to blood and fire and idiot disorder.'

'But, sir,' protested Firmin.

'This man Leblanc is right. The whole world has got to be a Republic, one and indivisible. You know that, and my duty is to make that easy. A king should lead his people; you want me to stick on their backs like some Old Man of the Sea. To-day must be a sacrament of kings. Our trust for mankind is done with and ended. We must part our robes among them, we must part our kingship among them, and say to them all, now the king in every

The Last War: A World Set Free

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Cratylus by Plato:

altered by the insertion of the delta. Lupe appears to be derived from the relaxation (luein) which the body feels when in sorrow; ania (trouble) is the hindrance of motion (alpha and ienai); algedon (distress), if I am not mistaken, is a foreign word, which is derived from aleinos (grievous); odune (grief) is called from the putting on (endusis) sorrow; in achthedon (vexation) 'the word too labours,' as any one may see; chara (joy) is the very expression of the fluency and diffusion of the soul (cheo); terpsis (delight) is so called from the pleasure creeping (erpon) through the soul, which may be likened to a breath (pnoe) and is properly erpnoun, but has been altered by time into terpnon; eupherosune (cheerfulness) and epithumia explain themselves; the former, which ought to be eupherosune and has been