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Today's Stichomancy for Liam Neeson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Scaramouche by Rafael Sabatini:

"You're such an excellent tumbler. Have you been practising?"

"Fool!" Scaramouche snapped. "Must you be laughing when I've all but broken my neck?"

"You are right. We ought to be weeping because you didn't break it. Come, man, get up," and he held out a hand to the prostrate rogue.

Scaramouche took the hand, clutched it, heaved himself from the ground, then with a scream dropped back again.

"My foot!" he complained.

Binet rolled through the group of players, scattering them to right and left. Apprehension had been quick to seize him. Fate had

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Jude the Obscure by Thomas Hardy:

"You simply mean that you flirted outrageously with him, poor old chap, and then repented, and to make reparation, married him, though you tortured yourself to death by doing it."

"Well--if you will put it brutally!--it was a little like that-- that and the scandal together--and your concealing from me what you ought to have told me before!"

He could see that she was distressed and tearful at his criticisms, and soothed her, saying: "There, dear; don't mind! Crucify me, if you will! You know you are all the world to me, whatever you do!"

"I am very bad and unprincipled--I know you think that!" she said, trying to blink away her tears.


Jude the Obscure
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

upon the ground of blackness, as when a child pricks a drawing full of pinholes and exposes it before a candle; not the darkest night of winter can conceal her high station and fanciful design; every evening in the year she proceeds to illuminate herself in honour of her own beauty; and as if to complete the scheme - or rather as if some prodigal Pharaoh were beginning to extend to the adjacent sea and country - half-way over to Fife, there is an outpost of light upon Inchkeith, and far to seaward, yet another on the May.

And while you are looking, across upon the Castle

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from End of the Tether by Joseph Conrad:

even of his personal appearance, conscious of his worth, and firm in his rectitude, there had remained to him, like the heritage of departed prosperity, the tranquil bearing of a man who had proved himself fit in every sort of way for the life of his choice. He strode on squarely under the projecting brim of an ancient Panama hat. It had a low crown, a crease through its whole diameter, a narrow black ribbon. Imperishable and a little discolored, this headgear made it easy to pick him out from afar on thronged wharves and in the busy streets. He had never adopted the comparatively modern


End of the Tether