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Today's Stichomancy for Liam Neeson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from La Grande Breteche by Honore de Balzac:

all the furniture, not enough to fill ten lines in an inventory.

" 'My dear sir, if you had seen, as I then saw, that vast room, papered and hung with brown, you would have felt yourself transported into a scene of a romance. It was icy, nay more, funereal,' and he lifted his hand with a theatrical gesture and paused.

" 'By dint of seeking, as I approached the bed, at last I saw Madame de Merret, under the glimmer of the lamp, which fell on the pillows. Her face was as yellow as wax, and as narrow as two folded hands. The Countess had a lace cap showing her abundant hair, but as white as linen thread. She was sitting up in bed, and seemed to keep upright with great difficulty. Her large black eyes, dimmed by fever, no


La Grande Breteche
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Oakdale Affair by Edgar Rice Burroughs:

of the night.

From below came no repetition of the inexplicable noises of that night of terror and at last, with every ob- ject plainly discernible in the light of the new day, Bridge would delay no longer; but voiced his final de- termination to descend and make a fire in the old kitchen stove. Both the boy and the girl insisted upon accom- panying him. For the first time each had an opportunity to study the features of his companions of the night. Bridge found in the girl and the youth two dark eyed, good-looking young people. In the girl's face was, per-


The Oakdale Affair
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Europeans by Henry James:

presented itself to the rural-looking road, with which it was connected by a spacious pathway, paved with worn and cracked, but very clean, bricks. Behind it there were meadows and orchards, a barn and a pond; and facing it, a short distance along the road, on the opposite side, stood a smaller house, painted white, with external shutters painted green, a little garden on one hand and an orchard on the other. All this was shining in the morning air, through which the simple details of the picture addressed themselves to the eye as distinctly as the items of a "sum" in addition.

A second young lady presently came out of the house, across the piazza, descended into the garden and approached the young girl of whom I

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Europeans by Henry James:

we had better come into my little studio. I have a western window; we can still see the sunset. Andiamo!" And he gave a little pat to his companion's arm.

He led the way in; Mr. Brand stiffly and softly followed. The twilight had thickened in the little studio; but the wall opposite the western window was covered with a deep pink flush. There were a great many sketches and half-finished canvasses suspended in this rosy glow, and the corners of the room were vague and dusky. Felix begged Mr. Brand to sit down; then glancing round him, "By Jove, how pretty it looks!" he cried. But Mr. Brand would not sit down; he went and leaned