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Today's Stichomancy for Louis Armstrong

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Edition of The Ambassadors by Henry James:

He had gone again the next day but one, and the effect of the two visits, the after-sense of the couple of hours spent with her, was almost that of fulness and frequency. The brave intention of frequency, so great with him from the moment of his finding himself unjustly suspected at Woollett, had remained rather theoretic, and one of the things he could muse about under his poplars was the source of the special shyness that had still made him careful. He had surely got rid of it now, this special shyness; what had become of it if it hadn't precisely, within the week, rubbed off?

It struck him now in fact as sufficiently plain that if he had still been careful he had been so for a reason. He had really

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Court Life in China by Isaac Taylor Headland:

the head of their own government when it was thus being filched from them? You say she was anti-foreign--would you have been very much in love with Germany, Russia, France and England under those circumstances? That she acted unwisely in placing herself in the hands of the conservatives and allying herself with the superstitious Boxers, we must all frankly admit. But what would you have done? Might you not--I do not say you would with your intelligence--but might you not have been induced to have clutched at as great a log as the patriotic Boxers seemed to present, if you had been as near drowning as she was?

"It is generally supposed," says one of her critics, "that Kang

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Louis Lambert by Honore de Balzac:

five hours' notice. The announcement of my departure reduced Lambert to dreadful dejection.

"Shall I ever seen you again?" said he in his gentle voice, as he clasped me in his arms. "You will live," he went on, "but I shall die. If I can, I will come back to you."

Only the young can utter such words with the accent of conviction that gives them the impressiveness of prophecy, of a pledge, leaving a terror of its fulfilment. For a long time indeed I vaguely looked for the promised apparition. Even now there are days of depression, of doubt, alarm, and loneliness, when I am forced to repel the intrusion of that sad parting, though it was not fated to be the last.


Louis Lambert