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Today's Stichomancy for Louis B. Mayer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Roads of Destiny by O. Henry:

this thing up about the middle of the month, after the tax bill is settled. Now, Mullens, you send over, as soon as you can, and get me the figures on the cost of those irrigation ditches and the statistics about the increased production per acre. I'm going to need you when that bill of mine comes up. I reckon we'll be able to pull along pretty well together this session and maybe others to come, eh, Senator?"

Thus did fortune elect to smile upon the Boy Artist of the San Saba. Fate had already done her share when she arranged his atoms in the cosmogony of creation as the grandson of Lucien Briscoe.

The original Briscoe had been a pioneer both as to territorial

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Buttered Side Down by Edna Ferber:

Our grand-stand seats almost two thousand, counting the boxes. But only the snobs, and the girls with new hats, sit in the boxes. Box seats are comfortable, it is true, and they cost only an additional ten cents, but we have come to consider them undemocratic, and unworthy of true fans. Mrs. Freddy Van Dyne, who spends her winters in Egypt and her summers at the ball park, comes out to the game every afternoon in her automobile, but she never occupies a box seat; so why should we? She perches up in the grand-stand with the rest of the enthusiasts, and when Kelly puts one over she stands up and clinches her fists, and waves her arms and shouts with the best of 'em. She has even been known to cry,


Buttered Side Down
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Kidnapped by Robert Louis Stevenson:

and it shall be here or nowhere at all whatever; for I would have you to understand that I am as stiffnecked as yoursel', and a gentleman of better family."

This change of note disconcerted Ebenezer; he was a little while digesting it, and then says he, "Weel, weel, what must be must," and shut the window. But it took him a long time to get down-stairs, and a still longer to undo the fastenings, repenting (I dare say) and taken with fresh claps of fear at every second step and every bolt and bar. At last, however, we heard the creak of the hinges, and it seems my uncle slipped gingerly out and (seeing that Alan had stepped back a pace or two) sate him


Kidnapped