| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Around the World in 80 Days by Jules Verne: and amazed them with his acrobatic feats. He thought they managed
the vessel like gentlemen, and that the stokers fired up like heroes.
His loquacious good-humour infected everyone. He had forgotten the past,
its vexations and delays. He only thought of the end, so nearly accomplished;
and sometimes he boiled over with impatience, as if heated by the furnaces
of the Henrietta. Often, also, the worthy fellow revolved around Fix,
looking at him with a keen, distrustful eye; but he did not speak to him,
for their old intimacy no longer existed.
Fix, it must be confessed, understood nothing of what was going on.
The conquest of the Henrietta, the bribery of the crew, Fogg managing
the boat like a skilled seaman, amazed and confused him. He did not know
 Around the World in 80 Days |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Catherine de Medici by Honore de Balzac: more than hold the king of France, and that with difficulty, to his
promise of giving Catherine the hand of his second son, the Duc
d'Orleans. The Pope's impatience was so great, and he was so afraid
that his plans would be thwarted either by some intrigue of the
emperor, or by the refusal of France, or by the grandees of the
kingdom looking with evil eye upon the marriage, that he gave orders
to embark at once, and sailed for Marseille, where he arrived toward
the end of October, 1533.
Notwithstanding its wealth, the house of the Medici was eclipsed on
this occasion by the court of France. To show the lengths to which the
Medici pushed their magnificence, it is enough to say that the "dozen"
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner: carried out the milk for the dwellers in several streets of this
aristocratic residential suburb, was just coming around the corner
of the main street into a quiet lane. This lane could hardly be
dignified by the name of street as yet, it was so very quiet. It
had been opened and named scarcely a year back and it was bordered
mostly by open gardens or fenced-in building lots. There were four
houses in this street, two by two opposite each other, and another,
an old-fashioned manor house, lying almost hidden in its great
garden. But the quiet street could not presume to ownership of
this last house, for the front of it opened on a parallel street,
which gave it its number. Only the garden had a gate as outlet
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lady Windermere's Fan by Oscar Wilde: LORD AUGUSTUS. [With a low bow.] I wish I could think so, Mrs.
Erlynne.
MRS ERLYNNE. You know it far too well. I can fancy a person
dancing through life with you and finding it charming.
LORD AUGUSTUS. [Placing his hand on his white waistcoat.] Oh,
thank you, thank you. You are the most adorable of all ladies!
MRS. ERLYNNE. What a nice speech! So simple and so sincere! Just
the sort of speech I like. Well, you shall hold my bouquet. [Goes
towards ball-room on LORD WINDERMERE'S arm.] Ah, Mr. Dumby, how
are you? I am so sorry I have been out the last three times you
have called. Come and lunch on Friday.
|