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Today's Stichomancy for Lucille Ball

The first excerpt represents the past or something you must release, and is drawn from Northanger Abbey by Jane Austen:

To see and explore either the ramparts and keep of the one, or the cloisters of the other, had been for many weeks a darling wish, though to be more than the visitor of an hour had seemed too nearly impossible for desire. And yet, this was to happen. With all the chances against her of house, hall, place, park, court, and cottage, Northanger turned up an abbey, and she was to be its inhabitant. Its long, damp passages, its narrow cells and ruined chapel, were to be within her daily reach, and she could not entirely subdue the hope of some traditional legends, some awful memorials of an injured and ill-fated nun.


Northanger Abbey
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Beasts of Tarzan by Edgar Rice Burroughs:

twelve inches long by a quarter of an inch thick. One edge was quite thin for a few inches near the tip. It was the rudiment of a knife.

With it he went into the jungle, searching until he found a fallen tree of a certain species of hardwood with which he was familiar. From this he cut a small straight branch, which he pointed at one end.

Then he scooped a small, round hole in the surface of the prostrate trunk. Into this he crumbled a few bits of dry bark, minutely shredded, after which he inserted the tip of his pointed stick, and, sitting astride the bole of the tree, spun the slender rod rapidly between his palms.


The Beasts of Tarzan
The third excerpt represents the future or something you must embrace, and is drawn from A Woman of No Importance by Oscar Wilde:

ARBUTHNOT.]

LADY HUNSTANTON. Caroline, shall we all make a move to the music- room? Miss Worsley is going to play. You'll come too, dear Mrs. Arbuthnot, won't you? You don't know what a treat is in store for you. [To DOCTOR DAUBENY.] I must really take Miss Worsley down some afternoon to the rectory. I should so much like dear Mrs. Daubeny to hear her on the violin. Ah, I forgot. Dear Mrs. Daubeny's hearing is a little defective, is it not?

THE ARCHDEACON. Her deafness is a great privation to her. She can't even hear my sermons now. She reads them at home. But she has many resources in herself, many resources.