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Today's Stichomancy for Lucille Ball

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Phaedo by Plato:

two, and now, when they are brought together, the mere juxtaposition or meeting of them should be the cause of their becoming two: neither can I understand how the division of one is the way to make two; for then a different cause would produce the same effect,--as in the former instance the addition and juxtaposition of one to one was the cause of two, in this the separation and subtraction of one from the other would be the cause. Nor am I any longer satisfied that I understand the reason why one or anything else is either generated or destroyed or is at all, but I have in my mind some confused notion of a new method, and can never admit the other.

Then I heard some one reading, as he said, from a book of Anaxagoras, that

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Garden Party by Katherine Mansfield:

that way." But he had scarcely time to feel anything before she walked quickly away, and he followed her down the steps, along the garden path, under the pink rose arches, across the lawn. There, with the gay herbaceous border behind her, Anne faced Reginald. "It isn't that I'm not awfully fond of you," she said. "I am. But"--her eyes widened--"not in the way"--a quiver passed over her face--"one ought to be fond of--" Her lips parted, and she couldn't stop herself. She began laughing. "There, you see, you see," she cried, "it's your check t-tie. Even at this moment, when one would think one really would be solemn, your tie reminds me fearfully of the bow-tie that cats wear in pictures! Oh, please forgive me for being so horrid, please!"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Jude the Obscure by Thomas Hardy:

seeing that other young men afforded so many. After to-day he would never probably see her again. Indeed, it would be impossible, considering what his plans were.

In short, as if materially, a compelling arm of extraordinary muscular power seized hold of him--something which had nothing in common with the spirits and influences that had moved him hitherto. This seemed to care little for his reason and his will, nothing for his so-called elevated intentions, and moved him along, as a violent schoolmaster a schoolboy he has seized by the collar, in a direction which tended towards the embrace of a woman for whom he had no respect, and whose life had nothing in common with his own


Jude the Obscure
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Communist Manifesto by Karl Marx:

called, is merely the organised power of one class for oppressing another. If the proletariat during its contest with the bourgeoisie is compelled, by the force of circumstances, to organise itself as a class, if, by means of a revolution, it makes itself the ruling class, and, as such, sweeps away by force the old conditions of production, then it will, along with these conditions, have swept away the conditions for the existence of class antagonisms and of classes generally, and will thereby have abolished its own supremacy as a class.

In place of the old bourgeois society, with its classes and class antagonisms, we shall have an association, in which the


The Communist Manifesto