| The first excerpt represents the past or something you must release, and is drawn from The Water-Babies by Charles Kingsley: could not help putting them on; and she flew with them out of the
window, and over the land, and over the sea, and up through the
clouds, and nobody heard or saw anything of her for a very long
while.
And this is why they say that no one has ever yet seen a water-
baby. For my part, I believe that the naturalists get dozens of
them when they are out dredging; but they say nothing about them,
and throw them overboard again, for fear of spoiling their
theories. But, you see the professor was found out, as every one
is in due time. A very terrible old fairy found the professor out;
she felt his bumps, and cast his nativity, and took the lunars of
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mad King by Edgar Rice Burroughs: of the hapless monarch.
Dawn found him still upon his way, but with the deter-
mination fully crystallized to hail the first man he met and
ask the way to Tann. He still avoided the main traveled
roads, but from time to time he paralleled them close enough
that he might have ample opportunity to hail the first
passerby.
The road was becoming more and more mountainous and
difficult. There were fewer homes and no hamlets, and now
he began to despair entirely of meeting any who could give
him direction unless he turned and retraced his steps to the
 The Mad King |
The third excerpt represents the future or something you must embrace, and is drawn from The Kreutzer Sonata by Leo Tolstoy: auto-suggestion. Was it so serious because I thought it so? Or
had I a presentiment? I do not know. Perhaps, too, after what
has happened, all previous events have taken on a lugubrious tint
in my memory.
"I arrived at the steps. It was an hour past midnight. A few
isvotchiks were before the door, awaiting customers, attracted by
the lighted windows (the lighted windows were those of our parlor
and reception room). Without trying to account for this late
illumination, I went up the steps, always with the same
expectation of something terrible, and I rang. The servant, a
good, industrious, and very stupid being, named Gregor, opened
 The Kreutzer Sonata |