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Today's Stichomancy for Ludwig Wittgenstein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Edition of The Ambassadors by Henry James:

was letting himself at present, go; there was no denying it; it might be desperation, it might be confidence; he should offer himself to the arriving travellers bristling with all the lucidity he had cultivated.

He repeated to Chad what he had been saying in the court to Waymarsh; how there was no doubt whatever that his sister would find the latter a kindred spirit, no doubt of the alliance, based on an exchange of views, that the pair would successfully strike up. They would become as thick as thieves--which moreover was but a development of what Strether remembered to have said in one of his first discussions with his mate, struck as he had then already been

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Master Key by L. Frank Baum:

and leaned over the bulwarks to watch the progress of the storm. He might stay in the ship until it foundered, he thought, and then take his chances with the machine. He decided to wait until a climax arrived.

The climax came the next moment, for while he leaned over the bulwarks the buccaneers stole up behind him and suddenly seized him in their grasp. While two of them held his arms the others searched his pockets, taking from him the electric tube and the silver box containing his tablets. These they carried to the cabin and threw upon the heap of other valuables they had stolen. They did not notice his traveling machine, however, but seeing him now unarmed they began jeering and laughing at him, while the brutal captain relieved his


The Master Key
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Marriage Contract by Honore de Balzac:

they were soon touched by the old-fashioned grace with which he greeted them. The words he used were full of that amenity which amiable old men convey as much by the ideas they suggest as by the manner in which they express them. The younger notary, with his flippant tone, seemed on a lower plane. Mathias showed his superior knowledge of life by the reserved manner with which he accosted Paul. Without compromising his white hairs, he showed that he respected the young man's nobility, while at the same time he claimed the honor due to old age, and made it felt that social rights are natural. Solonet's bow and greeting, on the contrary, expressed a sense of perfect equality, which would naturally affront the pretensions of a man of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

from its mother. Another woman sprang forward and picked it up, with a chivalrous air, as if rescuing a human being from an oncoming express train.

As the girl passed down through the hall, she went before open doors framing more eyes strangely microscopic, and sending broad beams of inquisitive light into the darkness of her path. On the second floor she met the gnarled old woman who possessed the music box.

"So," she cried, "'ere yehs are back again, are yehs? An' dey've kicked yehs out? Well, come in an' stay wid me teh-night. I ain' got no moral standin'."

From above came an unceasing babble of tongues, over all of


Maggie: A Girl of the Streets