| The first excerpt represents the past or something you must release, and is drawn from The Mysterious Affair at Styles by Agatha Christie: knocked us all down with a feather when, three months ago, she
suddenly announced that she and Alfred were engaged! The fellow
must be at least twenty years younger than she is! It's simply
bare-faced fortune hunting; but there you are--she is her own
mistress, and she's married him."
"It must be a difficult situation for you all."
"Difficult! It's damnable!"
Thus it came about that, three days later, I descended from the
train at Styles St. Mary, an absurd little station, with no
apparent reason for existence, perched up in the midst of green
fields and country lanes. John Cavendish was waiting on the
 The Mysterious Affair at Styles |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Eryxias by Platonic Imitator: and necessary possession, and does it make a great difference in the
comfort of life to have a mansion like Polytion's instead of living in a
shabby little cottage, whereas wisdom is of small use and it is of no
importance whether a man is wise or ignorant about the highest matters? Or
is wisdom despised of men and can find no buyers, although cypress wood and
marble of Pentelicus are eagerly bought by numerous purchasers? Surely the
prudent pilot or the skilful physician, or the artist of any kind who is
proficient in his art, is more worth than the things which are especially
reckoned among riches; and he who can advise well and prudently for himself
and others is able also to sell the product of his art, if he so desire.
Eryxias looked askance, as if he had received some unfair treatment, and
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The third excerpt represents the future or something you must embrace, and is drawn from Z. Marcas by Honore de Balzac: deep, full of thought. If I may say so, those eyes had a humiliated
expression.
Marcas was afraid of looking directly at others, not for himself, but
for those on whom his fascinating gaze might rest; he had a power, and
he shunned using it; he would spare those he met, and he feared
notice. This was not from modesty, but from resignation founded on
reason, which had demonstrated the immediate inutility of his gifts,
the impossibility of entering and living in the sphere for which he
was fitted. Those eyes could at times flash lightnings. From those
lips a voice of thunder must surely proceed; it was a mouth like
Mirabeau's.
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