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Today's Stichomancy for Ludwig Wittgenstein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Aeneid by Virgil:

Then ease your weary Trojans will attend, And the long labors of your voyage end. Remember on that happy coast to build, And with a trench inclose the fruitful field.' This was that famine, this the fatal place Which ends the wand'ring of our exil'd race. Then, on to-morrow's dawn, your care employ, To search the land, and where the cities lie, And what the men; but give this day to joy. Now pour to Jove; and, after Jove is blest, Call great Anchises to the genial feast:


Aeneid
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Scarecrow of Oz by L. Frank Baum:

hole that yawned in the middle. So he exerted all his might and pulled as he had never pulled before. He pulled so hard that the left oar snapped in two and sent Cap'n Bill sprawling upon the bottom of the boat.

He scrambled up quickly enough and glanced over the side. Then he looked at Trot, who sat quite still, with a serious, far-away look in her sweet eyes. The boat was now speeding swiftly of its own accord, following the line of the circular basin round and round and gradually drawing nearer to the great hole in the center. Any further effort to escape the whirlpool was


The Scarecrow of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

beyond any that men had given them. Two nights and two days the galleon sailed over the Cerenerian Sea, sighting no land and speaking but one other vessel. Then near sunset of the second day there loomed up ahead the snowy peak of Aran with its gingko-trees swaying on the lower slope, and Carter knew that they were come to the land of Ooth-Nargai and the marvellous city of Celephais. Swiftly there came into sight the glittering minarets of that fabulous town, and the untarnished marble walls with their bronze statues, and the great stone bridge where Naraxa joins the sea. Then rose the gentle hills behind the town, with their groves


The Dream-Quest of Unknown Kadath
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:

shivering, and every now and again he would ask me why I wanted to marry Uma. "My friend," I was telling myself all day, "you must not come to be an old gentleman like this."

It might be four in the afternoon, perhaps, when the back door was thrust slowly open, and a strange old native woman crawled into the house almost on her belly. She was swathed in black stuff to her heels; her hair was grey in swatches; her face was tattooed, which was not the practice in that island; her eyes big and bright and crazy. These she fixed upon me with a rapt expression that I saw to be part acting. She said no plain word, but smacked and mumbled with her lips, and hummed aloud, like a child over its Christmas