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Today's Stichomancy for Ludwig Wittgenstein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Story of an African Farm by Olive Schreiner:

me walking out with any on Sunday afternoons. He said he had lots of sweethearts, and he was going to see one the next Wednesday on a farm, and he asked me to lend my mare. I told him she was very old. But he said it didn't matter; he would come the next day to fetch her.

"After he was gone my little room got back to its old look. I loved it so; I was so glad to get into it at night, and it seemed to be reproaching me for bringing him there. The next day he took the grey mare. On Thursday he did not bring her back, and on Friday I found the saddle and bridle standing at my door.

"In the afternoon he looked into the shop, and called out: 'Hope you got your saddle, Farber? Your bag-of-bones kicked out six miles from here.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Man that Corrupted Hadleyburg by Mark Twain:

but Hadleyburg, and they know it. It's a great card for us. I must get to the printing-office now, or I shall be too late."

"But stop--stop--don't leave me here alone with it, Edward!"

But he was gone. For only a little while, however. Not far from his own house he met the editor--proprietor of the paper, and gave him the document, and said "Here is a good thing for you, Cox--put it in."

"It may be too late, Mr. Richards, but I'll see."

At home again, he and his wife sat down to talk the charming mystery over; they were in no condition for sleep. The first question was, Who could the citizen have been who gave the stranger the twenty


The Man that Corrupted Hadleyburg
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Garden Party by Katherine Mansfield:

writing-table--so safe--to the huge glittering wardrobe, and she began to breathe in a queer, panting away. "Why shouldn't we be weak for once in our lives, Jug? It's quite excusable. Let's be weak--be weak, Jug. It's much nicer to be weak than to be strong."

And then she did one of those amazingly bold things that she'd done about twice before in their lives: she marched over to the wardrobe, turned the key, and took it out of the lock. Took it out of the lock and held it up to Josephine, showing Josephine by her extraordinary smile that she knew what she'd done--she'd risked deliberately father being in there among his overcoats.

If the huge wardrobe had lurched forward, had crashed down on Constantia,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Case of the Registered Letter by Grace Isabel Colbron and Augusta Groner:

Department, and the comedy of his acting under "official orders" when the Department is in reality following out his directions.

THE CASE OF THE REGISTERED LETTER

by Grace Isabel Colbron and Augusta Groner

"Oh, sir, save him if you can - save my poor nephew! I know he is innocent!"

The little old lady sank back in her chair, gazing up at Commissioner von Riedau with tear-dimmed eyes full of helpless appeal. The commissioner looked thoughtful. "But the case is in the hands of the local authorities, Madam," he answered gently, a strain of pity in his voice. "I don't exactly see how we could interfere."