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Today's Stichomancy for Ludwig Wittgenstein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from My Antonia by Willa Cather:

a great many things I had lately discovered. Mrs. Harling came to the Opera House to hear the Commencement exercises, and I looked at her most of the time while I made my speech. Her keen, intelligent eyes never left my face. Afterward she came back to the dressing-room where we stood, with our diplomas in our hands, walked up to me, and said heartily: `You surprised me, Jim. I didn't believe you could do as well as that. You didn't get that speech out of books.' Among my graduation presents there was a silk umbrella from Mrs. Harling, with my name on the handle.

I walked home from the Opera House alone. As I passed


My Antonia
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

savagely at a bit of water-soaked board that lay in my way.

"Very handsome - as large as you are, but fair, and even more erect."

I drew my shoulders up sharply. I am straight enough, but I was fairly sagging with jealous rage.

"When mother began to get around, somebody told her that I had been going about with Mrs. Curtis and her brother, and we had a dreadful time. I was dragged home like a bad child. Did anybody ever do that to you?"

"Nobody ever cared. I was born an orphan," I said, with a cheerless attempt at levity. "Go on."

"If Mrs. Curtis knew, she never said anything. She wrote me charming


The Man in Lower Ten
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Massimilla Doni by Honore de Balzac:

Signor himself is the slave of the Venetian conqueror. He returns to restore his palazzo with the spoils of the Ottoman Empire. He can quit the women of the East for the doubly masked intrigues of his beloved Venetians, and fancy that he dreads the jealousy which has ceased to exist.

"For three zwanziger he can transport himself into the Council of Ten, can wield there terrible power, and leave the Doges' Palace to sleep under the watch of a pair of flashing eyes, or to climb a balcony from which a fair hand has hung a silken ladder. He can love a woman to whom opium lends such poetic grace as we women of flesh and blood could never show.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Othello by William Shakespeare:

The Royall Banner, and all Qualitie, Pride, Pompe, and Circumstance of glorious Warre: And O you mortall Engines, whose rude throates Th' immortall Ioues dread Clamours, counterfet, Farewell: Othello's Occupation's gone

Iago. Is't possible my Lord? Oth. Villaine, be sure thou proue my Loue a Whore; Be sure of it: Giue me the Occular proofe, Or by the worth of mine eternall Soule, Thou had'st bin better haue bin borne a Dog Then answer my wak'd wrath


Othello