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Today's Stichomancy for M. C. Escher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Horse's Tale by Mark Twain:

to you for a long visit when the War Office retires me.

I attend to her studies myself; has she told you that? Yes, I am her school-master, and she makes pretty good progress, I think, everything considered. Everything considered - being translated - means holidays. But the fact is, she was not born for study, and it comes hard. Hard for me, too; it hurts me like a physical pain to see that free spirit of the air and the sunshine laboring and grieving over a book; and sometimes when I find her gazing far away towards the plain and the blue mountains with the longing in her eyes, I have to throw open the prison doors; I can't help it. A quaint little scholar she is, and makes plenty of blunders. Once I

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Dunwich Horror by H. P. Lovecraft:

suddent of a fearful smell, an' says her boy Cha'ncey was a-screamin' as haow it was jest like what he smelt up to the Whateley rewins Monday mornin'. An' the dogs was barkin' an' whinin' awful. 'An' then she let aout a turrible yell, an' says the shed daown the rud had jest caved in like the storm bed blowed it over, only the wind w'an't strong enough to dew that. Everybody was a-listenin', an' we could hear lots o' folks on the wire a-gaspin'. All to onct Sally she yelled again, an' says the front yard picket fence hed just crumbled up, though they wa'n't no sign o' what done it. Then everybody on the line could hear Cha'ncey an' old Seth


The Dunwich Horror
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from From London to Land's End by Daniel Defoe:

I could give many more accounts of the different dialects of the people of this country, in some of which they are really not to be understood; but the particulars have little or no diversion in them. They carry it such a length that we see their "jouring" speech even upon their monuments and grave-stones; as, for example, even in some of the churchyards of the city of Bristol I saw this excellent poetry after some other lines:-

"And when that thou doest hear of thick, Think of the glass that runneth quick."

But I proceed into Devonshire. From Yeovil we came to Crookorn, thence to Chard, and from thence into the same road I was in before

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Apology by Xenophon:

deserving of record than the counsel he took with himself[2] (after being cited to appear before the court), not only with regard to his defence, but also as to the ending of his life. Others have written on this theme, and all without exception have touched upon[3] the lofty style of the philosopher,[4] which may be taken as a proof that the language used by Socrates was really of that type. But none of these writers has brought out clearly the fact that Socrates had come to regard death as for himself preferable to life; and consequently there is just a suspicion of foolhardiness in the arrogancy of his address.[5] We have, however, from the lips of one of his intimate acquaintances, Hermogenes,[6] the son of Hipponicus, an account of him


The Apology