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Today's Stichomancy for M. C. Escher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Juana by Honore de Balzac:

honor he was determined to share the vengeance of the betrayed mother. Juana, all in white, and softly lighted by the wax candles, was standing calmly in the centre of her chamber.

"What do you want with me?" she said.

The Marana could not repress a passing shudder.

"Perez," she asked, "has this room another issue?"

Perez made a negative gesture; confiding in that gesture, the mother entered the room.

"Juana," she said, "I am your mother, your judge; you have placed yourself in the only situation in which I could reveal myself to you. You have come down to me, you, whom I thought in heaven. Ah! you have

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Blue Flower by Henry van Dyke:

might bathe and play; at the corners of the streets and on the sides of the houses there were fountains for the drawing of water; at every crossing a stream was turned aside to run out to the vineyards; and the river was the mother of them all.

There were but few people in the streets, and none of the older folk from whom I might ask counsel or a lodging; so I stood and knocked at the door of a house. It was opened by an old man, who greeted me with kindness and bade me enter as his guest. After much courteous entertainment, and when supper was ended, his friendly manner and something of singular attractiveness in his countenance led me to tell him of my

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Agnes Grey by Anne Bronte:

had so much employment for every faculty of her action-loving frame. Our kind neighbours lamented that she, once so exalted in wealth and station, should be reduced to such extremity in her time of sorrow; but I am persuaded that she would have suffered thrice as much had she been left in affluence, with liberty to remain in that house, the scene of her early happiness and late affliction, and no stern necessity to prevent her from incessantly brooding over and lamenting her bereavement.

I will not dilate upon the feelings with which I left the old house, the well-known garden, the little village church - then doubly dear to me, because my father, who, for thirty years, had


Agnes Grey
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Great God Pan by Arthur Machen:

waited at the corner, keeping my eye on her all the time, and I took particular care to note the house at which she stopped. It was the house with the gay curtains, the home of flowers, the house out of which Crashaw came the night he hanged himself in his garden. I was just going away with my discovery, when I saw an empty carriage come round and draw up in front of the house, and I came to the conclusion that Mrs. Herbert was going out for a drive, and I was right. There, as it happened, I met a man I know, and we stood talking together a little distance from the carriage-way, to which I had my back. We had not been there for ten minutes when my friend took off his hat, and I


The Great God Pan