| The first excerpt represents the past or something you must release, and is drawn from Gambara by Honore de Balzac: woman whose dress betrayed the most abject, inveterate, and long-
accustomed poverty, who was no handsomer than a hundred others to be
seen any evening at the play, at the opera, in the world of fashion,
and who was certainly not so young as Madame de Manerville, from whom
he had obtained an assignation for that very day, and who was perhaps
waiting for him at that very hour.
But in the glance at once tender and wild, swift and deep, which that
woman's black eyes had shot at him by stealth, there was such a world
of buried sorrows and promised joys! And she had colored so fiercely
when, on coming out of a shop where she had lingered a quarter of an
hour, her look frankly met the Count's, who had been waiting for her
 Gambara |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Lamentable Tragedy of Locrine and Mucedorus by William Shakespeare: of her.]
BREMO.
A happy prey! now, Bremo, feed on flesh.
Dainties, Bremo, dainties, thy hungry panch to fill!
Now glut thy greedy guts with luke warm blood!
Come, fight with me, I long to see thee dead.
AMADINE.
How can she fight that weapons cannot wield?
BREMO.
What, canst not fight? then lie thou down and die.
AMADINE.
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The third excerpt represents the future or something you must embrace, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer: From the subdued blaze that showed the public supper-rooms I looked
up to the hundreds of starry points marking the private apartments
of those giant inns.
I thought how each twinkling window denoted the presence of some
bird of passage, some wanderer temporarily abiding in our midst.
There, floor piled upon floor above the chattering throngs,
were these less gregarious units, each something of a mystery
to his fellow-guests, each in his separate cell; and each as remote
from real human companionship as if that cell were fashioned,
not in the bricks of London, but in the rocks of Hindustan!
In one of those rooms Graham Guthrie might at that moment be sleeping,
 The Insidious Dr. Fu-Manchu |