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Today's Stichomancy for Madonna

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow:

"How many skins of Spanish leather, Think you, would, if stitched together Make a glove of such a size?"

A BALLAD OF THE FRENCH FLEET

OCTOBER, 1746

MR. THOMAS PRINCE loquitur.

A fleet with flags arrayed Sailed from the port of Brest, And the Admiral's ship displayed The signal: "Steer southwest." For this Admiral D'Anville

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Road to Oz by L. Frank Baum:

"In other words, the more stupid one is, the more he thinks he knows," observed the shaggy man. The grey donkey paid no attention to this speech because he had just stopped before a house which had painted over the doorway a pair of hoofs, with a donkey tail between them and a rude crown and sceptre above.

"I'll see if his magnificent Majesty King Kik-a-bray is at home," said he. He lifted his head and called "Whee-haw! whee-haw! whee-haw!" three times, in a shocking voice, turning about and kicking with his heels against the panel of the door. For a time there was no reply; then the door opened far enough to permit a donkey's head to stick out and look at them.


The Road to Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from My Aunt Margaret's Mirror by Walter Scott:

very little embellishment, of a story that I remembered being struck with in my childhood, when told at the fireside by a lady of eminent virtues and no inconsiderable share of talent, one of the ancient and honourable house of Swinton. She was a kind of relation of my own, and met her death in a manner so shocking-- being killed, in a fit of insanity, by a female attendant who had been attached to her person for half a lifetime--that I cannot now recall her memory, child as I was when the catastrophe occurred, without a painful reawakening of perhaps the first images of horror that the scenes of real life stamped on my mind.

This good spinster had in her composition a strong vein of the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wife, et al by Anton Chekhov:

the ikon in the corner, buzzing, and one could hear the cockroaches scurrying about among the thick portfolios under the seats. . . .

Ryabovsky came home as the sun was setting. He flung his cap on the table, and, without removing his muddy boots, sank pale and exhausted on the bench and closed his eyes.

"I am tired . . ." he said, and twitched his eyebrows, trying to raise his eyelids.

To be nice to him and to show she was not cross, Olga Ivanovna went up to him, gave him a silent kiss, and passed the comb through his fair hair. She meant to comb it for him.