| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Last War: A World Set Free by H. G. Wells: officer, who was afterwards to set it all down in the Wander
Jahre. Very characteristic, too, it is of the change in men's
hearts that was even then preparing a new phase of human history.
He goes on to write of the escape from individuality in science
and service, and of his discovery of this 'salvation.' All that
was then, no doubt, very moving and original; now it seems only
the most obvious commonplace of human life.
The glow of the sunset faded, the twilight deepened into night.
The fires burnt the brighter, and some Irishmen away across the
meer started singing. But Barnet's men were too weary for that
sort of thing, and soon the bank and the barge were heaped with
 The Last War: A World Set Free |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Hiero by Xenophon: Simonides, and I assure you, the tyrant is one who has the smallest
share of life's blessings, whilst of its greater miseries he possesses
most.
[4] Lit. "the majority of things"; al. "the thousand details of a
thing."
For instance, if peace is held to be a mighty blessing to mankind,
then of peace despotic monarchs are scant sharers. Or is war a curse?
If so, of this particular pest your monarch shares the largest moiety.
For, look you, the private citizen, unless his city-state should
chance to be engaged in some common war,[5] is free to travel
wheresoe'er he chooses without fear of being done to death, whereas
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll: "And as to being in a fright,
Allow me to remark
That Ghosts have just as good a right
In every way, to fear the light,
As Men to fear the dark."
"No plea," said I, "can well excuse
Such cowardice in you:
For Ghosts can visit when they choose,
Whereas we Humans ca'n't refuse
To grant the interview."
He said "A flutter of alarm
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sylvie and Bruno by Lewis Carroll: the river fill up exactly those intervals where we need indistinctness,
for artistic effect? Here, in the foreground, a few clear touches are
not amiss: but a back-ground without mist, you know! It is simply
barbarous! Yes, we need indistinctness!"
The orator looked so pointedly at me as he uttered these words, that I
felt bound to reply, by murmuring something to the effect that I hardly
felt the need myself--and that I enjoyed looking at a thing, better,
when I could see it.
"Quite so!" the great man sharply took me up. "From your point of
view, that is correctly put. But for anyone who has a soul for Art,
such a view is preposterous. Nature is one thing. Art is another.
 Sylvie and Bruno |