| The first excerpt represents the past or something you must release, and is drawn from The Great God Pan by Arthur Machen: obdurate, and I have tried other channels, but without any
result. I can't find out what became of Helen Vaughan after she
left Paul Street, but I think she must have gone abroad. But to
tell the truth, Austin, I haven't paid much attention to the
matter for the last few weeks; I knew poor Herries intimately,
and his terrible death has been a great shock to me, a great
shock."
"I can well believe it," answered Austin gravely, "you
know Argentine was a friend of mine. If I remember rightly, we
were speaking of him that day you came to my rooms."
"Yes; it was in connection with that house in Ashley
The Great God Pan |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Under the Andes by Rex Stout: I saw the copper heads flash on high.
I stood at the edge of the lake, wondering at their folly as
I waited; they were now scarcely ten feet away. Another few
strokes and the foremost stretched out his hand to grasp the
slippery ledge; my spear came down crushingly on his head and he
fell back into the water.
By that time another had crawled half onto the ledge, and
another; a blow and a quick thrust, and they, too, slipped back
beneath the surface, pawing in agony, not to rise again.
Just in time I saw that one of the remaining three had lifted
himself in the water not five feet away, with his spear aimed at my
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The third excerpt represents the future or something you must embrace, and is drawn from Poems by T. S. Eliot: Que toutes mes hontes j'ay beucs ...
Pipit sate upright in her chair
Some distance from where I was sitting;
Views of the Oxford Colleges
Lay on the table, with the knitting.
Daguerreotypes and silhouettes,
Her grandfather and great great aunts,
Supported on the mantelpiece
An Invitation to the Dance.
. . . . . .
I shall not want Honour in Heaven
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