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Today's Stichomancy for Marilyn Monroe

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

appearance of the plain about Peking, on which the traveler sees, here and there, a small clump of trees around a country village, a home, or a cemetery; the remainder of the country being bare. These tufts are usually on the "soft spot," in the back of his neck, over his ears, or in a braid or a ring on the side of his head. The amount of joy brought to a home by the birth of a child depends upon several important considerations, chief among which are its sex, the number and sex of those already in the family, and the financial condition of the home.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Memories and Portraits by Robert Louis Stevenson:

forgotten his name. Seeing him so disordered, they had not the heart to send him away, but gave him a paper and admitted him, still nameless, to the Hall. Vain kindness, vain efforts. He could only sit in a still growing horror, writing nothing, ignorant of all, his mind filled with a single memory of the breaking day and his own intolerable fear. And that same night he was tossing in a brain fever.

People are afraid of war and wounds and dentists, all with excellent reason; but these are not to be compared with such chaotic terrors of the mind as fell on this young man, and made him cover his eyes from the innocent morning. We all have by our

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

interminable arguments. Almost all conveniently adopt social, literary, or political prejudices, to do away with the need of having opinions, just as they adapt their conscience to the standard of the Code or the Tribunal of Commerce. Having started early to become men of note, they turn into mediocrities, and crawl over the high places of the world. So, too, their faces present the harsh pallor, the deceitful coloring, those dull, tarnished eyes, and garrulous, sensual mouths, in which the observer recognizes the symptoms of the degeneracy of the thought and its rotation in the circle of a special idea which destroys the creative faculties of the brain and the gift of seeing in large, of generalizing and deducing. No man who has


The Girl with the Golden Eyes
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Catriona by Robert Louis Stevenson:

upon her side, fell into a sort of kind familiarity; and we dwelt together like those of the same household, only (upon my side) with a more deep emotion. About the same time the bottom seemed to fall out of our conversation, and neither one of us the less pleased. Whiles she would tell me old wives' tales, of which she had a wonderful variety, many of them from my friend red-headed Niel. She told them very pretty, and they were pretty enough childish tales; but the pleasure to myself was in the sound of her voice, and the thought that she was telling and I listening. Whiles, again, we would sit entirely silent, not communicating even with a look, and tasting pleasure enough in the sweetness of that neighbourhood. I speak here only for myself.