Today's Stichomancy for Marilyn Monroe
The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland: appearance of the plain about Peking, on which the traveler
sees, here and there, a small clump of trees around a country
village, a home, or a cemetery; the remainder of the country
being bare. These tufts are usually on the "soft spot," in the
back of his neck, over his ears, or in a braid or a ring on the
side of his head.
The amount of joy brought to a home by the birth of a child
depends upon several important considerations, chief among which
are its sex, the number and sex of those already in the family,
and the financial condition of the home.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Memories and Portraits by Robert Louis Stevenson: forgotten his name. Seeing him so disordered, they had not the
heart to send him away, but gave him a paper and admitted him,
still nameless, to the Hall. Vain kindness, vain efforts. He
could only sit in a still growing horror, writing nothing, ignorant
of all, his mind filled with a single memory of the breaking day
and his own intolerable fear. And that same night he was tossing
in a brain fever.
People are afraid of war and wounds and dentists, all with
excellent reason; but these are not to be compared with such
chaotic terrors of the mind as fell on this young man, and made him
cover his eyes from the innocent morning. We all have by our
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Girl with the Golden Eyes by Honore de Balzac: interminable arguments. Almost all conveniently adopt social,
literary, or political prejudices, to do away with the need of having
opinions, just as they adapt their conscience to the standard of the
Code or the Tribunal of Commerce. Having started early to become men
of note, they turn into mediocrities, and crawl over the high places
of the world. So, too, their faces present the harsh pallor, the
deceitful coloring, those dull, tarnished eyes, and garrulous, sensual
mouths, in which the observer recognizes the symptoms of the
degeneracy of the thought and its rotation in the circle of a special
idea which destroys the creative faculties of the brain and the gift
of seeing in large, of generalizing and deducing. No man who has
The Girl with the Golden Eyes |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Catriona by Robert Louis Stevenson: upon her side, fell into a sort of kind familiarity; and we dwelt
together like those of the same household, only (upon my side) with a
more deep emotion. About the same time the bottom seemed to fall out
of our conversation, and neither one of us the less pleased. Whiles
she would tell me old wives' tales, of which she had a wonderful
variety, many of them from my friend red-headed Niel. She told them
very pretty, and they were pretty enough childish tales; but the
pleasure to myself was in the sound of her voice, and the thought that
she was telling and I listening. Whiles, again, we would sit entirely
silent, not communicating even with a look, and tasting pleasure enough
in the sweetness of that neighbourhood. I speak here only for myself.
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