| The first excerpt represents the past or something you must release, and is drawn from King Henry VI by William Shakespeare: BEDFORD.
The day begins to break, and night is fled,
Whose pitchy mantle over-veil'd the earth.
Here sound retreat, and cease our hot pursuit.
[Retreat sounded.]
TALBOT.
Bring forth the body of old Salisbury,
And here advance it in the market-place,
The middle centre of this cursed town.
Now have I paid my vow unto his soul;
For every drop of blood was drawn from him
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Shakespeare's Sonnets by William Shakespeare: To be so tickled, they would change their state
And situation with those dancing chips,
O'er whom thy fingers walk with gentle gait,
Making dead wood more bless'd than living lips.
Since saucy jacks so happy are in this,
Give them thy fingers, me thy lips to kiss.
CXXIX
The expense of spirit in a waste of shame
Is lust in action: and till action, lust
Is perjur'd, murderous, bloody, full of blame,
Savage, extreme, rude, cruel, not to trust;
|
The third excerpt represents the future or something you must embrace, and is drawn from Edition of The Ambassadors by Henry James: Strether debated. "She didn't send me out to 'like' you."
"Oh," she charmingly contended, "she sent you out to face the
facts."
He admitted after an instant that there was something in that. "But
how can I face them till I know what they are? Do you want him," he
then braced himself to ask, "to marry your daughter?"
She gave a headshake as noble as it was prompt. "No--not that."
"And he really doesn't want to himself?"
She repeated the movement, but now with a strange light in her
face. "He likes her too much."
Strether wondered. "To be willing to consider, you mean, the
|