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Today's Stichomancy for Martin Luther King Jr.

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Prince by Nicolo Machiavelli:

YOUTH Aet. 1-25--1469-94

Although there is little recorded of the youth of Machiavelli, the Florence of those days is so well known that the early environment of this representative citizen may be easily imagined. Florence has been described as a city with two opposite currents of life, one directed by the fervent and austere Savonarola, the other by the splendour- loving Lorenzo. Savonarola's influence upon the young Machiavelli must have been slight, for although at one time he wielded immense power over the fortunes of Florence, he only furnished Machiavelli with a subject of a gibe in "The Prince," where he is cited as an example of


The Prince
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from King Lear by William Shakespeare:

Exit [Cornwall, led by Regan]. 2. Serv. I'll never care what wickedness I do, If this man come to good. 3. Serv. If she live long, And in the end meet the old course of death, Women will all turn monsters. 2. Serv. Let's follow the old Earl, and get the bedlam To lead him where he would. His roguish madness Allows itself to anything. 3. Serv. Go thou. I'll fetch some flax and whites of eggs To apply to his bleeding face. Now heaven help him!


King Lear
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Menexenus by Plato:

concerning the date and authorship of the writings which are ascribed to him. And several of the citations of Aristotle omit the name of Plato, and some of them omit the name of the dialogue from which they are taken. Prior, however, to the enquiry about the writings of a particular author, general considerations which equally affect all evidence to the genuineness of ancient writings are the following: Shorter works are more likely to have been forged, or to have received an erroneous designation, than longer ones; and some kinds of composition, such as epistles or panegyrical orations, are more liable to suspicion than others; those, again, which have a taste of sophistry in them, or the ring of a later age, or the slighter character of a rhetorical exercise, or in which a motive or some

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

ready distrust is regarded as the sign of a "bad character," and consequently as an imprudence, here among us, beyond the middle- class world and its Yeas and Nays, what should prevent our being imprudent and saying: the philosopher has at length a RIGHT to "bad character," as the being who has hitherto been most befooled on earth--he is now under OBLIGATION to distrustfulness, to the wickedest squinting out of every abyss of suspicion.--Forgive me the joke of this gloomy grimace and turn of expression; for I myself have long ago learned to think and estimate differently with regard to deceiving and being deceived, and I keep at least a couple of pokes in the ribs ready for the blind rage with which


Beyond Good and Evil