Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Mel Brooks

The first excerpt represents the past or something you must release, and is drawn from The Lamentable Tragedy of Locrine and Mucedorus by William Shakespeare:

But, Collen, I have a tale in secret kept for thee: When thou shalt hear a watch word from thy king, Think then some weighty matter is at hand That highly shall concern our state, Then, Collen, look thou be not far from me: And for thy service thou to fore hast done, Thy trueth and valour proud in every point, I shall with bounties thee enlarge therefore: So guard us to the court.

COLLEN. What so my sovereign doth command me do,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Songs of Innocence and Experience by William Blake:

In sighing and dismay.

Ah then at times I drooping sit, And spend many an anxious hour; Nor in my book can I take delight, Nor sit in learning's bower, Worn through with the dreary shower.

How can the bird that is born for joy Sit in a cage and sing? How can a child, when fears annoy, But droop his tender wing, And forget his youthful spring!


Songs of Innocence and Experience
The third excerpt represents the future or something you must embrace, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde:

publisher, returning the proofs and mentioning two or three slight alterations, is still in my possession. Marcel Schwob told me some years afterwards that he thought it would have spoiled the spontaneity and character of Wilde's style if he had tried to harmonise it with the diction demanded by the French Academy. It was never composed with any idea of presentation. Madame Bernhardt happened to say she wished Wilde would write a play for her; he replied in jest that he had done so. She insisted on seeing the manuscript, and decided on its immediate production, ignorant or forgetful of the English law which prohibits the introduction of Scriptural characters on the stage. With his keen sense of the