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Today's Stichomancy for Mel Brooks

The first excerpt represents the past or something you must release, and is drawn from Off on a Comet by Jules Verne:

at the conclusions which were of the most paramount interest to them all. Had he ascertained the true character of her orbit? had he established any data from which it would be possible to reckon what time must elapse before she would again approach the earth?

The only intelligible words which the astronomer had uttered had been, "My comet!"

To what could the exclamation refer? Was it to be conjectured that a fragment of the earth had been chipped off by the collision of a comet? and if so, was it implied that the name of the comet itself was Gallia, and were they mistaken in supposing that such was the name given by the _savant_ to the little world that had been

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Youth by Joseph Conrad:

Mrs. Beard (the captain's name was Beard) came from Colchester to see the old man. She lived on board. The crew of runners had left, and there remained only the officers, one boy, and the steward, a mulatto who an- swered to the name of Abraham. Mrs. Beard was an old woman, with a race all wrinkled and ruddy like a winter apple, and the figure of a young girl. She caught sight of me once, sewing on a button, and insisted on having my shirts to repair. This was something different from the captains' wives I had known on board crack clippers. When I brought her the shirts, she said: 'And the


Youth
The third excerpt represents the future or something you must embrace, and is drawn from The Shadow Line by Joseph Conrad:

"We have lost Koh-ring at last. For many days now I don't think I have been two hours below al- together. I remain on deck, of course, night and day, and the nights and the days wheel over us in succession, whether long or short, who can say? All sense of time is lost in the monotony of ex- pectation, of hope, and of desire--which is only one: Get the ship to the southward! Get the ship to the southward! The effect is curiously me- chanical; the sun climbs and descends, the night swings over our heads as if somebody below the


The Shadow Line