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Today's Stichomancy for Michael Jackson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from At the Earth's Core by Edgar Rice Burroughs:

little valley, where I felt certain we should find a means of ingress from the cliff top. As we proceeded along the ledge I gave Dian minute directions for finding my cave against the chance of something happening to me. I knew that she would be quite safely hidden away from pursuit once she gained the shelter of my lair, and the valley would afford her ample means of sustenance.

Also, I was very much piqued by her treatment of me. My heart was sad and heavy, and I wanted to make her feel badly by suggesting that something terrible might happen to me--that I might, in fact, be killed. But it didn't


At the Earth's Core
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Voyage to Abyssinia by Father Lobo:

nothing is seen through the whole region but the most ghastly consternation, or heard but the most piercing lamentations, for wherever they fall, that unhappy place is laid waste and ruined; they leave not one blade of grass, nor any hopes of a harvest.

God, who often makes calamities subservient to His will, permitted this very affliction to be the cause of the conversion of many of the natives, who might have otherwise died in their errors; for part of the country being ruined by the grasshoppers that year in which we arrived at Abyssinia, many, who were forced to leave their habitations, and seek the necessaries of life in other places, came to that part of the land where some of our missionaries were

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Amy Foster by Joseph Conrad:

trees. All the trees but the three old Norway pines on the bit of lawn before Swaffer's house, and these reminded him of his country. He had been detected once, after dusk, with his forehead against the trunk of one of them, sobbing, and talking to himself. They had been like brothers to him at that time, he affirmed. Everything else was strange. Conceive you the kind of an existence overshad- owed, oppressed, by the everyday material appear- ances, as if by the visions of a nightmare. At night, when he could not sleep, he kept on thinking


Amy Foster
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Heritage of the Desert by Zane Grey:

through the cedars the music of the bells was sweet, and he listened till he heard no more.

A thin coating of frost crackled on his bed when he awakened; and out from under the shelter of the cedar all the ground was hoar-white. As he slipped from his blankets the same strong smell of black sage and juniper smote him, almost like a blow. His nostrils seemed glued together by some rich piny pitch; and when he opened his lips to breathe a sudden pain, as of a knife-thrust, pierced his lungs. The thought following was as sharp as the pain. Pneumonia! What he had long expected! He sank against the cedar, overcome by the shock. But he rallied presently, for with the reestablishment of the old settled bitterness, which had been


The Heritage of the Desert