Today's Stichomancy for Michael Jackson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Summer by Edith Wharton:

lanterns tapering away gaily to the park at the other end of the perspective. The noise and colour of this holiday vision seemed to transform Nettleton into a metropolis. Charity could not believe that Springfield or even Boston had anything grander to show, and she wondered if, at this very moment, Annabel Balch, on the arm of as brilliant a young man, were threading her way through scenes as resplendent.

"Where shall we go first?" Harney asked; but as she turned her happy eyes on him he guessed the answer and said: "We'll take a look round, shall we?"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Marriage Contract by Honore de Balzac:

conveying the first suggestions to Madame Evangelista the experienced old woman returned to inform Paul of the results of the overture.

"My child," she said, "the affair is won. In talking of property, I found that Madame Evangelista gives nothing of her own to her daughter. Mademoiselle Natalie's dowry is her patrimony. Marry her, my dear boy. Men who have a name and an estate to transmit, a family to continue, must, sooner or later, end in marriage. I wish I could see my dear Auguste taking that course. You can now carry on the marriage without me; I have nothing to give you but my blessing, and women as old as I are out of place at a wedding. I leave for Paris to-morrow. When you present your wife in society I shall be able to see her and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The New Machiavelli by H. G. Wells:

going over, almost lightly--to those others." . . .

She was white-lipped as she spoke. In the most curious way she had captured the moral values of the situation. I found myself protesting ineffectually against her fixed conviction. "It's because I think my duty lies in this change that I make it," I said.

"I don't see how you can say that," she replied quietly.

There was another pause between us.

"Oh!" she said and clenched her hand upon the table. "That it should have come to this!"

She was extraordinarily dignified and extraordinarily absurd. She was hurt and thwarted beyond measure. She had no place in her

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Road to Oz by L. Frank Baum:

suite of lovely rooms in the big palace.

Button-Bright was afraid to be left alone, so Dorothy took him into her own room. While a maid-fox dressed the little girl's hair--which was a bit tangled--and put some bright, fresh ribbons in it, another maid-fox combed the hair on poor Button-Bright's face and head and brushed it carefully, tying a pink bow to each of his pointed ears. The maids wanted to dress the children in fine costumes of woven feathers, such as all the foxes wore; but neither of them consented to that.

"A sailor suit and a fox head do not go well together," said one of the maids, "for no fox was ever a sailor that I can remember."

"I'm not a fox!" cried Button-Bright.

The Road to Oz