| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs: Wieroo, Bradley turned to seek another means of concealing the
evidence of his crime. There was a space between the chests and
the wall, and into this he forced the corpse, piling the
discarded robes upon it until it was entirely hidden from sight;
but now how was he to make good his escape in the bright glare of
that early Spring day?
He walked to the door at the far end of the apartment and
cautiously opened it an inch. Before him and about two feet away
was the blank wall of another building. Bradley opened the door
a little farther and looked in both directions. There was no one
in sight to the left over a considerable expanse of roof-top, and
 Out of Time's Abyss |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Agesilaus by Xenophon: contrast lay a double satisfaction. Here was he roaming earth freely
in the midst of a world of delight,[6] and there lay the Persian,
under his eyes, who to escape a life of pain must drag together from
the uttermost parts of earth the separate ingredients for his
pleasure. It was another source of joy that to himself it was given to
confront the appointed order of the universe[7] without pain; while
through weakness of soul his rival, it was plain to see, was driven to
flee away from heat and cold, and to shape his life, not by the
pattern of brave men, but of some mean and defenceless animal.[8]
[5] See Herod. i. 135, for the luxury of the Persians and for the
refinements of civilisation. See "Mem." II. i. 10; "Cyrop." VIII.
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