| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson: crooned over it like a great cat. From this she slipped into a
kind of song.
"Who the devil's this?" cried I, for the thing startled me.
"It's Fa'avao," says Randall; and I saw he had hitched along the
floor into the farthest corner.
"You ain't afraid of her?" I cried.
"Me 'fraid!" cried the captain. "My dear friend, I defy her! I
don't let her put her foot in here, only I suppose 's different to-
day, for the marriage. 's Uma's mother."
"Well, suppose it is; what's she carrying on about?" I asked, more
irritated, perhaps more frightened, than I cared to show; and the
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Faraday as a Discoverer by John Tyndall: that, without any change in the acting matter, or the consumption of
any generating force, a current shall be produced which shall go on
for ever against a constant resistance, or only be stopped, as in
the voltaic trough, by the ruins which its exertion has heaped up in
its own course. This would indeed be a creation of power, and is
like no other force in nature. We have many processes by which the
form of the power may be so changed, that an apparent conversion of
one into the other takes place. So we can change chemical force
into the electric current, or the current into chemical force.
The beautiful experiments of Seebeck and Peltier show the convertibility
of heat and electricity; and others by Oersted and myself show the
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