| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Walking by Henry David Thoreau: his hearing them. But soon, by some inexorable law, our life goes
by and the cars return.
"Gentle breeze, that wanderest unseen,
And bendest the thistles round Loira of storms,
Traveler of the windy glens,
Why hast thou left my ear so soon?"
While almost all men feel an attraction drawing them to society,
few are attracted strongly to Nature. In their reaction to Nature
men appear to me for the most part, notwithstanding their arts,
lower than the animals. It is not often a beautiful relation, as
in the case of the animals. How little appreciation of the beauty
Walking |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pierre Grassou by Honore de Balzac: an eye on the anterior life of Pierre Grassou of Fougeres.
When a pupil, Fougeres had studied drawing with Servin, who was
thought a great draughtsman in academic circles. After that he went to
Schinner's, to learn the secrets of the powerful and magnificent color
which distinguishes that master. Master and scholars were all
discreet; at any rate Pierre discovered none of their secrets. From
there he went to Sommervieux' atelier, to acquire that portion of the
art of painting which is called composition, but composition was shy
and distant to him. Then he tried to snatch from Decamps and Granet
the mystery of their interior effects. The two masters were not
robbed. Finally Fougeres ended his education with Duval-Lecamus.
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Robinson Crusoe by Daniel Defoe: I told them there would be nothing done, in my opinion, till night;
and then, if they did not return to the boat, perhaps we might find
a way to get between them and the shore, and so might use some
stratagem with them in the boat to get them on shore. We waited a
great while, though very impatient for their removing; and were
very uneasy when, after long consultation, we saw them all start up
and march down towards the sea; it seems they had such dreadful
apprehensions of the danger of the place that they resolved to go
on board the ship again, give their companions over for lost, and
so go on with their intended voyage with the ship.
As soon as I perceived them go towards the shore, I imagined it to
Robinson Crusoe |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pierrette by Honore de Balzac: by the beauty of Pierrette's nature and the character of her old
grandmother, whose feelings, ideas, and ways bore the stamp of Roman
antiquity,--this matron of the Marais was like a woman in Plutarch.
Doctor Martener struggled bravely with death, which already grasped
its prey. From the first, Bianchon and the hospital surgeon had
considered Pierrette doomed; and there now took place between the
doctor and the disease, the former relying on Pierrette's youth, one
of those struggles which physicians alone comprehend,--the reward of
which, in case of success, is never found in the venal pay nor in the
patients themselves, but in the gentle satisfaction of conscience, in
the invisible ideal palm gathered by true artists from the contentment
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