| The first excerpt represents the past or something you must release, and is drawn from An Episode Under the Terror by Honore de Balzac: its way inside. The house standing thus quite by itself looked like
some old tower that Time had forgotten to destroy. A faint light shone
from the attic windows pierced at irregular distances in the roof;
otherwise the whole building was in total darkness.
Meanwhile the old lady climbed not without difficulty up the rough,
clumsily built staircase, with a rope by way of a hand-rail. At the
door of the lodging in the attic she stopped and tapped mysteriously;
an old man brought forward a chair for her. She dropped into it at
once.
"Hide! hide!" she exclaimed, looking up at him. "Seldom as we leave
the house, everything that we do is known, and every step is
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Richard III by William Shakespeare: sovereignty.
KING RICHARD. Be eloquent in my behalf to her.
QUEEN ELIZABETH. An honest tale speeds best being plainly
told.
KING RICHARD. Then plainly to her tell my loving tale.
QUEEN ELIZABETH. Plain and not honest is too harsh a style.
KING RICHARD. Your reasons are too shallow and too quick.
QUEEN ELIZABETH. O, no, my reasons are too deep and
dead-
Too deep and dead, poor infants, in their graves.
KING RICHARD. Harp not on that string, madam; that is past.
Richard III |
The third excerpt represents the future or something you must embrace, and is drawn from Bunner Sisters by Edith Wharton: passed, but not with the desultory eye of enjoyment: the watchful
fixity of her gaze overlooked everything but the object of its
quest. At length she stopped before a small window wedged between
two mammoth buildings, and displaying, behind its shining plate-
glass festooned with muslin, a varied assortment of sofa-cushions,
tea-cloths, pen-wipers, painted calendars and other specimens of
feminine industry. In a corner of the window she had read, on a
slip of paper pasted against the pane: "Wanted, a Saleslady," and
after studying the display of fancy articles beneath it, she gave
her mantle a twitch, straightened her shoulders and went in.
Behind a counter crowded with pin-cushions, watch-holders and
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