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Today's Stichomancy for Mike Myers

The first excerpt represents the past or something you must release, and is drawn from My Antonia by Willa Cather:

little schooling themselves. But the younger brothers and sisters, for whom they made such sacrifices and who have had `advantages,' never seem to me, when I meet them now, half as interesting or as well educated. The older girls, who helped to break up the wild sod, learned so much from life, from poverty, from their mothers and grandmothers; they had all, like Antonia, been early awakened and made observant by coming at a tender age from an old country to a new.

I can remember a score of these country girls who were in service in Black Hawk during the few years I lived there, and I can remember something unusual and engaging about each of them. Physically they were almost a race apart, and out-of-door


My Antonia
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Far From the Madding Crowd by Thomas Hardy:

"We might or we might not." Bathsheba turned and looked into the fire, that Liddy might not see her face. Finding that her mistress was going to say no more, Liddy glided out, closed the door softly, and went to bed. Bathsheba's face, as she continued looking into the fire that evening, might have excited solicitousness on her account even among those who loved her least. The sadness of Fanny Robin's fate did not make Bath- sheba's glorious, although she was the Esther to this poor Vashti, and their fates might be supposed to stand


Far From the Madding Crowd
The third excerpt represents the future or something you must embrace, and is drawn from Vailima Letters by Robert Louis Stevenson:

how the child is at once at home, and all her terrors ended.

27TH. MAIL DAY.

And I don't know that I have much to report. I may have to leave for Malie as soon as these mail packets are made up. 'Tis a necessity (if it be one) I rather deplore. I think I should have liked to lazy; but I daresay all it means is the delay of a day or so in harking back to David Balfour; that respectable youth chides at being left (where he is now) in Glasgow with the Lord Advocate, and after five years in the British Linen, who shall blame him? I was all forenoon yesterday down in Apia,' dictating, and Lloyd type-writing,