| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Symposium by Xenophon: the end and issue of each event, they give me signals, sending
messengers, be it some voice,[75] or vision of the night, with omens
of the solitary bird, which tell me what I should and what I should
not do. When I listen to their warnings all goes well with me, I have
no reason to repent; but if, as ere now has been the case, I have been
disobedient, chastisement has overtaken me.
[72] Cf. "Mem." I. i. 19; I. iv. 18.
[73] Schneid. cf. Hom. "Il." x. 279, {oude se letho kinomenos}, "nor
doth any motion of mine escape thee" (A. Lang); and see Arrian,
"Epictet." i. 12. 3.
[74] Cf. Ps. cxxxix. "Domine probasti."
The Symposium |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Charmides by Plato: be to render the words of one language into the words of another or to
preserve the construction and order of the original;--this is the ambition
of a schoolboy, who wishes to show that he has made a good use of his
Dictionary and Grammar; but is quite unworthy of the translator, who seeks
to produce on his reader an impression similar or nearly similar to that
produced by the original. To him the feeling should be more important than
the exact word. He should remember Dryden's quaint admonition not to
'lacquey by the side of his author, but to mount up behind him.'
(Dedication to the Aeneis.) He must carry in his mind a comprehensive view
of the whole work, of what has preceded and of what is to follow,--as well
as of the meaning of particular passages. His version should be based, in
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