| The first excerpt represents the past or something you must release, and is drawn from Travels and Researches in South Africa by Dr. David Livingstone: the original was typed in (manually) twice and electronically compared.
[Note on text: Italicized words or phrases are CAPITALIZED.
Some obvious errors have been corrected.]
Missionary Travels and Researches in South Africa.
Also called, Travels and Researches in South Africa;
or, Journeys and Researches in South Africa.
By David Livingstone [British (Scot) Missionary and Explorer--1813-1873.]
David Livingstone was born in Scotland, received his medical degree
from the University of Glasgow, and was sent to South Africa
by the London Missionary Society. Circumstances led him to try to meet
the material needs as well as the spiritual needs of the people he went to,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Return of Tarzan by Edgar Rice Burroughs: Slowly the back rises from the ground, forced up by the head and
shoulders of a body that looks all black in the semi-darkness.
Beyond is a faint glimpse of the dimly starlit desert.
A grim smile plays about Tarzan's lips. At least Rokoff will
be cheated. How mad he will be! And death will be more
merciful than he could have hoped for at the hands of the Russian.
Now the back of the tent drops into place, and all is darkness
again--whatever it is is inside the tent with him. He hears
it creeping close to him--now it is beside him. He closes
his eyes and waits for the mighty paw. Upon his upturned
face falls the gentle touch of a soft hand groping in the dark,
 The Return of Tarzan |
The third excerpt represents the future or something you must embrace, and is drawn from Ferragus by Honore de Balzac: for for thirty years, is a fine study in a land where there are few
men who can keep their own counsel for thirty days. Monsieur de
Maulincour literally lived only through Madame Jules. He was
perpetually absorbed in a sober examination into the means he ought to
employ to triumph in this mysterious struggle with these mysterious
persons. His secret passion for that woman grew by reason of all these
obstacles. Madame Jules was ever there, erect, in the midst of his
thoughts, in the centre of his heart, more seductive by her presumable
vices than by the positive virtues for which he had made her his idol.
At last, anxious to reconnoitre the position of the enemy, he thought
he might without danger initiate the vidame into the secrets of his
 Ferragus |