| The first excerpt represents the past or something you must release, and is drawn from Call of Cthulhu by H. P. Lovecraft: the woods attracted no little curiosity; and it had set sail in
great haste just after the storm and earth tremors of March 1st.
Our Auckland correspondent gives the Emma and her crew an excellent
reputation, and Johansen is described as a sober and worthy man.
The admiralty will institute an inquiry on the whole matter beginning
tomorrow, at which every effort will be made to induce Johansen
to speak more freely than he has done hitherto.
This was all,
together with the picture of the hellish image; but what a train
of ideas it started in my mind! Here were new treasuries of data
on the Cthulhu Cult, and evidence that it had strange interests
Call of Cthulhu |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Collected Articles by Frederick Douglass: Notwithstanding the just and humane sentiment of New Bedford
three and forty years ago, the place was not entirely free from
race and color prejudice. The good influence of the Roaches,
Rodmans, Arnolds, Grinnells, and Robesons did not pervade all
classes of its people. The test of the real civilization of the
community came when I applied for work at my trade, and then my
repulse was emphatic and decisive. It so happened that Mr. Rodney
French, a wealthy and enterprising citizen, distinguished as an
anti-slavery man, was fitting out a vessel for a whaling voyage,
upon which there was a heavy job of calking and coppering to be
done. I had some skill in both branches, and applied to Mr. French
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The third excerpt represents the future or something you must embrace, and is drawn from The Aspern Papers by Henry James: neighboring water steps; and I had been let into the house,
after pulling the rusty bell wire, by a little red-headed,
white-faced maidservant, who was very young and not ugly and
wore clicking pattens and a shawl in the fashion of a hood.
She had not contented herself with opening the door from above
by the usual arrangement of a creaking pulley, though she
had looked down at me first from an upper window, dropping the
inevitable challenge which in Italy precedes the hospitable act.
As a general thing I was irritated by this survival of
medieval manners, though as I liked the old I suppose I ought
to have liked it; but I was so determined to be genial that I
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