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Today's Stichomancy for Natalie Imbruglia

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Christ in Flanders by Honore de Balzac:

The boat that served to carry passengers from the Island of Cadzand to Ostend was upon the point of departure; but before the skipper loosed the chain that secured the shallop to the little jetty, where people embarked, he blew a horn several times, to warn late lingerers, this being his last journey that day. Night was falling. It was scarcely possible to see the coast of Flanders by the dying fires of the sunset, or to make out upon the hither shore any forms of belated passengers hurrying along the wall of the dykes that surrounded the open country, or among the tall reeds of the marshes. The boat was full.

"What are you waiting for? Let us put off!" they cried.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ball at Sceaux by Honore de Balzac:

dancing; her face was like one of the divinities which Girodet has introduced into his immense composition of French Warriors received by Ossian. Emilie fancied that she recognized her as a distinguished milady who for some months had been living on a neighboring estate. Her partner was a lad of about fifteen, with red hands, and dressed in nankeen trousers, a blue coat, and white shoes, which showed that the damsel's love of dancing made her easy to please in the matter of partners. Her movements did not betray her apparent delicacy, but a faint flush already tinged her white cheeks, and her complexion was gaining color. Mademoiselle de Fontaine went nearer, to be able to examine the young lady at the moment when she returned to her place,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

and his male friends; and for a lady in a family of distinction to turn her back upon her husband would be regarded as a kind of portent, involving loss of STATUS. But, as I shall soon shew, this custom, though it has the advantage of safety, is not without its disadvantages.

In the house of the Working Man or respectable Tradesman -- where the wife is allowed to turn her back upon her husband, while pursuing her household avocations -- there are at least intervals of quiet, when the wife is neither seen nor heard, except for the humming sound of the continuous Peace-cry; but in the homes of the upper classes there is too often no peace.


Flatland: A Romance of Many Dimensions
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Another Study of Woman by Honore de Balzac:

child were to hesitate two seconds longer, every intelligent spectator feels that he would ask Desdemona's forgiveness. Thus, killing the woman is the act of a boy.--She wept as we parted, so much was she distressed at being unable to nurse me herself. She wished she were my valet, in whose happiness she found a cause of envy, and all this was as elegantly expressed, oh! as Clarissa might have written in her happiness. There is always a precious ape in the prettiest and most angelic woman!"

At these words all the women looked down, as if hurt by this brutal truth so brutally stated.

"I will say nothing of the night, nor of the week I spent," de Marsay