| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gorgias by Plato: POLUS: By far the most.
SOCRATES: And if the most disgraceful, then also the worst?
POLUS: What do you mean, Socrates?
SOCRATES: I mean to say, that is most disgraceful has been already
admitted to be most painful or hurtful, or both.
POLUS: Certainly.
SOCRATES: And now injustice and all evil in the soul has been admitted by
us to be most disgraceful?
POLUS: It has been admitted.
SOCRATES: And most disgraceful either because most painful and causing
excessive pain, or most hurtful, or both?
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Happy Prince and Other Tales by Oscar Wilde: the direction of the Miller's house, little Hans trudging behind
him.
"But the storm grew worse and worse, and the rain fell in torrents,
and little Hans could not see where he was going, or keep up with
the horse. At last he lost his way, and wandered off on the moor,
which was a very dangerous place, as it was full of deep holes, and
there poor little Hans was drowned. His body was found the next
day by some goatherds, floating in a great pool of water, and was
brought back by them to the cottage.
"Everybody went to little Hans' funeral, as he was so popular, and
the Miller was the chief mourner.
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Passion in the Desert by Honore de Balzac: He returned to her, and had the unspeakable joy of seeing her wag her
tail with an almost imperceptible movement at his approach. He sat
down then, without fear, by her side, and they began to play together;
he took her paws and muzzle, pulled her ears, rolled her over on her
back, stroked her warm, delicate flanks. She let him do what ever he
liked, and when he began to stroke the hair on her feet she drew her
claws in carefully.
The man, keeping the dagger in one hand, thought to plunge it into the
belly of the too confiding panther, but he was afraid that he would be
immediately strangled in her last convulsive struggle; besides, he
felt in his heart a sort of remorse which bid him respect a creature
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chouans by Honore de Balzac: which the glow of precious jewels excites our curiosity. Not a cloud
could be seen on the wide horizon to mark by its silvery whiteness
that the vast blue arch was the firmament; it seemed, on the contrary,
a dais of silk, held up by the summits of the mountains and placed in
the atmosphere, to protect that beautiful assemblage of fields and
meadows and groves and brooks.
The group of young officers paused to examine a scene so filled with
natural beauties. The eyes of some roved among the copses, which the
sterner tints of autumn were already enriching with their russet
tones, contrasting the more with the emerald-green of the meadows in
which they grew; others took note of a different contrast, made by the
 The Chouans |