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Today's Stichomancy for Neal Stephenson

The first excerpt represents the past or something you must release, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

she was too sleepy almost to live.

And the day came round for Hilda to arrive. Connie had arranged with Mellors that if everything promised well for their night together, she would hang a green shawl out of the window. If there were frustration, a red one.

Mrs Bolton helped Connie to pack.

'It will be so good for your Ladyship to have a change.'

'I think it will. You don't mind having Sir Clifford on your hands alone for a time, do you?'

'Oh no! I can manage him quite all right. I mean, I can do all he needs me to do. Don't you think he's better than he used to be?'


Lady Chatterley's Lover
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Damaged Goods by Upton Sinclair:

and then about Lizette. Finally he told about Henriette, how much he adored her. He could really use such a word--he loved her most tenderly. She was so good--and he had thought himself so lucky!

As he went on, he could hardly keep from going to pieces. "I had everything," he exclaimed, "everything a man needed! All who knew me envied me. And then I had to let those fellows drag me off to that miserable supper-party! And now here I am! My future is ruined, my whole existence poisoned! What is to become of me? Everybody will avoid me--I shall be a pariah, a leper!"

He paused, and then in sudden wild grief exclaimed, "Come, now!

The third excerpt represents the future or something you must embrace, and is drawn from The Bickerstaff-Partridge Papers by Jonathan Swift:

and women corrupt virgins; lords shall knot and cut paper; and even the northern people.........:" A Greek phrase (which for modesty's sake I forbear to translate) which denotes a vice too frequent amongst us.

That the Ministry foresaw this great change, is plain from the Callico-Act; whereby it is now become the occupation of women all over England, to convert their useless female habits into beds, window-curtains, chairs, and joint-stools; undressing themselves (as it were) before their transformation.

The philosophy of this transformation will not seem surprizing to people who search into the bottom of things. Madam Bourignon, a