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Today's Stichomancy for Neal Stephenson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Aspern Papers by Henry James:

was now not to be doubted: that nocturnal scene would have cured her of the disposition to put up with my company for the sake of my dollars. I said to myself that after all I could not abandon Miss Tita, and I continued to say this even while I observed that she quite failed to comply with my earnest request (I had given her two or three addresses, at little towns, post restante) that she would let me know how she was getting on. I would have made my servant write to me but that he was unable to manage a pen. It struck me there was a kind of scorn in Miss Tita's silence (little disdainful as she had ever been), so that I was uncomfortable and sore. I had scruples about going back and yet I had others about not doing so, for I wanted to put myself on a better footing.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Heritage of the Desert by Zane Grey:

within him; but it was Mescal who made this wild life sweet and significant. It was Mescal, the embodiment of the desert spirit. Like a man facing a great light Hare divined his love. Through all the days on the plateau, living with her the natural free life of Indians, close to the earth, his unconscious love had ripened. He understood now her charm for him; he knew now the lure of her wonderful eyes, flashing fire, desert-trained, like the falcon eyes of her Indian grandfather. The knowledge of what she had become to him dawned with a mounting desire that thrilled all his blood.

Twilight had enfolded the plateau when Hare traced his way back to camp. Mescal was not there. His supper awaited him; Piute hummed a song; the


The Heritage of the Desert
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from What is Man? by Mark Twain:

Y.M. Yes, a brittle one and not valuable.

O.M. You would not require much, of such an engine as that?

Y.M. No--substantially nothing.

O.M. To make a fine and capable engine, how would you proceed?

Y.M. Drive tunnels and shafts into the hills; blast out the iron ore; crush it, smelt it, reduce it to pig-iron; put some of it through the Bessemer process and make steel of it. Mine and treat and combine several metals of which brass is made.

O.M. Then?

Y.M. Out of the perfected result, build the fine engine.


What is Man?
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

your manner, mon ami, it's something disagreeable. What have I been and gone and done?'

She was dancing, poor thing, in her little vulgar way, on hot iron. But her eyes kept their inconsistent coolness.

'I heard something today which you are not in the way of hearing. You have--probably--no conception that it could be said.'

'Then she has been telling other people. ABSOLUTELY the worst thing she could do!' Mrs. Innes exclaimed privately, sitting unmoved, her face a little too expectant.

'You won't be prepared for it--you may be shocked and hurt by it. Indeed, I think there is no need to repeat it to you. But I must