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Today's Stichomancy for Neal Stephenson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Maria, or the Wrongs of Woman by Mary Wollstonecraft:

Jemima, without importuning her by idle attempts to console her, left the room.

Plunged in the deepest melancholy, she would not admit Darnford's visits; and such is the force of early associations even on strong minds, that, for a while, she indulged the superstitious notion that she was justly punished by the death of her child, for having for an instant ceased to regret her loss. Two or three letters from Darnford, full of soothing, manly tenderness, only added poignancy to these accusing emotions; yet the passionate style in which he expressed, what he termed the first and fondest wish of his heart, "that his affection might make her some amends for the cruelty and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Message by Honore de Balzac:

to expect in Paris. There were five covers laid, three for the Count and Countess and their little daughter; my own, which should have been HIS; and another for the canon of Saint-Denis, who said grace, and then asked:

"Why, where can our dear Countess be?"

"Oh! she will be here directly," said the Count. He had hastily helped us to the soup, and was dispatching an ample plateful with portentous speed.

"Oh! nephew," exclaimed the canon, "if your wife were here, you would behave more rationally."

"Papa will make himself ill!" said the child with a mischievous

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Inaugural Address by John F. Kennedy:

Let both sides explore what problems unite us instead of belaboring those problems which divide us. Let both sides, for the first time, formulate serious and precise proposals for the inspection and control of arms. . .and bring the absolute power to destroy other nations under the absolute control of all nations. Let both sides seek to invoke the wonders of science instead of its terrors. Together let us explore the stars, conquer the deserts, eradicate disease, tap the ocean depths, and encourage the arts and commerce. Let both sides unite to heed in all corners of the earth the command of Isaiah. . .to "undo the heavy burdens. . . let the oppressed go free."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

to my desk at the Museum and spoke to me about something or other, no doubt finding that people who were keen on this sort of conversation were rather scarce. He remains a vivid spot of memory in the void of my forgetfulness, a quite considerable and dignified soul in a grotesquely disfigured body.

Frank Harris

To the review in the Pall Mall Gazette I attribute, rightly or wrongly, the introduction of Mary Fitton to Mr Frank Harris. My reason for this is that Mr Harris wrote a play about Shakespear and Mary Fitton; and when I, as a pious duty to Tyler's ghost, reminded the world that it was to Tyler we owed the Fitton theory, Frank