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Today's Stichomancy for Neil Gaiman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Hiero by Xenophon:

your friends.

[1] Lit. "many among those reputed to be men." Cf. "Cyrop." V. v. 33; "Hell." i. 24, "their hero"; and below, viii. 3. Aristoph. "Ach." 78, {oi barbaroi gar andras egountai monous} | {tous pleista dunamenous phagein te kai piein}: "To the Barbarians 'tis the test of manhood: there the great drinkers are the greatest men" (Frere); id. "Knights," 179; "Clouds," 823; so Latin "vir." See Holden ad loc.

[2] "Us lesser mortals."

To all which Hiero made answer: That the majority of men, Simonides, should be deluded by the glamour of a despotism in no respect

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Camille by Alexandre Dumas:

punishment on you."

"You show me that preference?" said M. de N., with a smile which he tried to render delicately ironical.

"Don't reproach me for it. It is the only one." It was fated that the poor man was not to say a single word. He cast a really supplicating glance at Marguerite.

"Well, Prudence," she went on, "have you done what I asked you to do?"

"Yes.

"All right. You will tell me about it later. We must talk over it; don't go before I can speak with you."


Camille
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Whirligigs by O. Henry:

returned to his chair.

And then Plunkett with the spring of a tiger, leaped around the corner of the table and snapped handcuffs on the paralyzed Morgan's wrists.

"Hound-lover and woman-killer!" he cried; "get ready to meet your God."

When Bridger had finished I asked him:

"Did he get the right man?"

"He did," said the Consul.

"And how did he know?" I inquired, being in a kind of bewilderment.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Return of Tarzan by Edgar Rice Burroughs:

they call them, of New York," and the fair countess settled herself more comfortably in her steamer chair, and resumed the magazine which "nothing at all" had caused her to let fall upon her lap.

Her husband again buried himself in his book, but not without a mild wonderment that three days out from New York his countess should suddenly have realized an admiration for the very buildings she had but recently characterized as horrid.

Presently the count put down his book. "It is very tiresome, Olga," he said. "I think that I shall hunt up some


The Return of Tarzan