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Today's Stichomancy for Niccolo Machiavelli

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from To the Lighthouse by Virginia Woolf:

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Title: To the Lighthouse Author: Virginia Woolf (1882-1941)

#STARTMARK# THE WINDOW

1


To the Lighthouse
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Richard III by William Shakespeare:

Look for the news that the Guildhall affords. Exit GLOUCESTER. Go, Lovel, with all speed to Doctor Shaw. [To CATESBY] Go thou to Friar Penker. Bid them both Meet me within this hour at Baynard's Castle. Exeunt all but GLOUCESTER Now will I go to take some privy order To draw the brats of Clarence out of sight, And to give order that no manner person Have any time recourse unto the Princes. Exit

SCENE 6.

London. A street


Richard III
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Pivot of Civilization by Margaret Sanger:

various agencies of church, state, and privately endowed institutions; the ``crimes of charity'' that are occasionally exposed in newspaper scandals. These and similar strictures we may ignore as irrelevant to our present purpose, as inevitable but not incurable faults that have been and are being eliminated in the slow but certain growth of a beneficent power in modern civilization. In reply to such criticisms, the protagonist of modern philanthropy might justly point to the honest and sincere workers and disinterested scientists it has mobilized, to the self-sacrificing and hard-working executives who have awakened public attention to the evils of poverty and the menace to the race engendered by misery and filth.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Some Reminiscences by Joseph Conrad:

of self-indulgence wasting the substance of future volumes. It seems that I am not sufficiently literary. Indeed a man who never wrote a line for print till he was thirty-six cannot bring himself to look upon his existence and his experience, upon the sum of his thoughts, sensations and emotions, upon his memories and his regrets, and the whole possession of his past, as only so much material for his hands. Once before, some three years ago, when I published "The Mirror of the Sea," a volume of impressions and memories, the same remarks were made to me. Practical remarks. But, truth to say, I have never understood the kind of thrift they recommended. I wanted to pay my tribute to the sea,


Some Reminiscences