| The first excerpt represents the past or something you must release, and is drawn from The Octopus by Frank Norris: these others, and beyond these still others, the immensities
multiplying to infinity.
Everywhere throughout the great San Joaquin, unseen and unheard,
a thousand ploughs up-stirred the land, tens of thousands of
shears clutched deep into the warm, moist soil.
It was the long stroking caress, vigorous, male, powerful, for
which the Earth seemed panting. The heroic embrace of a
multitude of iron hands, gripping deep into the brown, warm flesh
of the land that quivered responsive and passionate under this
rude advance, so robust as to be almost an assault, so violent as
to be veritably brutal. There, under the sun and under the
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Woman of No Importance by Oscar Wilde: HESTER. Mr. Arbuthnot is very charming.
LADY CAROLINE. Ah, yes! the young man who has a post in a bank.
Lady Hunstanton is most kind in asking him here, and Lord
Illingworth seems to have taken quite a fancy to him. I am not
sure, however, that Jane is right in taking him out of his
position. In my young days, Miss Worsley, one never met any one in
society who worked for their living. It was not considered the
thing.
HESTER. In America those are the people we respect most.
LADY CAROLINE. I have no doubt of it.
HESTER. Mr. Arbuthnot has a beautiful nature! He is so simple, so
|
The third excerpt represents the future or something you must embrace, and is drawn from Flame and Shadow by Sara Teasdale: Across the levee.
High over them the black train swept with thunder,
Cleaving the city, leaving far beneath it
Wharf-boats moored beside the old side-wheelers
Resting in twilight.
The Coin
Into my heart's treasury
I slipped a coin
That time cannot take
Nor a thief purloin, --
Oh better than the minting
|