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Today's Stichomancy for Nicholas Copernicus

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Riverman by Stewart Edward White:

out. We weren't sint here to wurrk; we were sint here to foight."

"Fight? Why?" asked Orde.

"Oh, I dunno," replied the Rough Red easily. "Me boss and the blank of a blank blanked blank that's attimptin' to droive this river has some sort of a row."

"Jimmy," said Orde, "didn't you know that I am the gentleman last mentioned?"

"What!"

"I'm driving this river, and that's my dam-keeper you've got hid away somewhere here, and that's my water you're planning to waste!"

"What?" repeated the Rough Red, but in a different tone of voice.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mirror of the Sea by Joseph Conrad:

satisfy their minds concerned with the safe binding of free ships to the strong, muddy, enslaved earth. "You had better put another bight of a hawser astern, Mr. Mate," is the usual phrase in their mouth. I brand them for renegades, because most of them have been sailors in their time. As if the infirmities of old age - the gray hair, the wrinkles at the corners of the eyes, and the knotted veins of the hands - were the symptoms of moral poison, they prowl about the quays with an underhand air of gloating over the broken spirit of noble captives. They want more fenders, more breasting- ropes; they want more springs, more shackles, more fetters; they want to make ships with volatile souls as motionless as square


The Mirror of the Sea
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Whirligigs by O. Henry:

d'Or, he strolled with his companion down the dim old street toward the river

The Rue Chartres perishes in the old Place d'Armes. The ancient Cabildo, where Spanish justice fell like hail, faces it, and the Cathedral, another provincial ghost, overlooks it. Its centre is a little, iron-railed park of flowers and immaculate gravelled walks, where citizens take the air of evenings. Pedestalled high above it, the general sits his cavorting steed, with his face turned stonily down the river toward English Turn, whence come no more Britons to bombard his cotton bales.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Michael Strogoff by Jules Verne:

the greatest difficulty. Hence certain delays occurred, which all the impatience of Michael Strogoff could not avoid. He had been well advised in not taking a carriage at Kamsk, for his horse passed places which would have been impracticable for a conveyance on wheels.

In the evening, at nine o'clock, Michael Strogoff arrived at Ikoulskoe, and halted there over night. In this remote village of the Baraba news of the war was utterly wanting. From its situation, this part of the province, lying in the fork formed by the two Tartar columns which had bifur- cated, one upon Omsk and the other upon Tomsk, had