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Today's Stichomancy for Nicholas Copernicus

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Unseen World and Other Essays by John Fiske:

which prefers the pictures of Rembrandt, the melodies of Chopin, and the poetry of Heine.

Having thus explained his position by this extreme instance, signified for the sake of clearness, Taine goes on to apply such general considerations to four historic epochs, taken in all their complexity. He discusses the aspect presented by art in ancient Greece, in the feudal and Catholic Middle Ages, in the centralized monarchies of the seventeenth century, and in the scientific, industrial democracy in which we now live. Out of these we shall select, as perhaps the simplest, the case of ancient Greece, still following our author closely, though


The Unseen World and Other Essays
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Bureaucracy by Honore de Balzac:

in the administration by bringing a strong light to bear upon it. He intended to bring about one of those revolutions which send a man to the head of either one party or another in society; but being incapable of so doing in his own interests, he merely pondered useful thoughts and dreamed of triumphs won for his country by noble means. His ideas were both generous and ambitious; few officials have not conceived the like; but among officials as among artists there are more miscarriages than births; which is tantamount to Buffon's saying that "Genius is patience."

Placed in a position where he could study French administration and observe its mechanism, Rabourdin worked in the circle where his

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

"What?"

"That a burnt child loves the fire."

"I am not even singed. My wings are untouched."

"You use them for everything, except flight."

"Courage has passed from men to women. It is a new experience for us."

"You have a rival."

"Who?"

He laughed. "Lady Narborough," he whispered. "She perfectly adores him."

"You fill me with apprehension. The appeal to antiquity is fatal to us who are romanticists."

"Romanticists! You have all the methods of science."


The Picture of Dorian Gray
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

whole established and secured against external dangers, it is this fear of our neighbour which again creates new perspectives of moral valuation. Certain strong and dangerous instincts, such as the love of enterprise, foolhardiness, revengefulness, astuteness, rapacity, and love of power, which up till then had not only to be honoured from the point of view of general utility--under other names, of course, than those here given--but had to be fostered and cultivated (because they were perpetually required in the common danger against the common enemies), are now felt in their dangerousness to be doubly strong--when the outlets for them are lacking--and are gradually branded as


Beyond Good and Evil