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Today's Stichomancy for Nick Cave

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

looking to the hills. They brought crockets and gargoyles from old St. Giles's which they were then restoring, and disposed them on the gables and over the door and about the garden; and the quarry which had supplied them with building material, they draped with clematis and carpeted with beds of roses. So much for the pleasure of the eye; for creature comfort, they made a capacious cellar in the hillside and fitted it with bins of the hewn stone. In process of time, the trees grew higher and gave shade to the cottage, and the evergreens sprang up and turned the dell into a thicket.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Christ in Flanders by Honore de Balzac:

"Awake and follow me!"

A withered woman took my hand in hers; its icy coldness crept through every nerve. The bones of her face showed plainly through the sallow, almost olive-tinted wrinkles of the skin. The shrunken, ice-cold old woman wore a black robe, which she trailed in the dust, and at her throat there was something white, which I dared not examine. I could scarcely see her wan and colorless eyes, for they were fixed in a stare upon the heavens. She drew me after her along the aisles, leaving a trace of her presence in the ashes that she shook from her dress. Her bones rattled as she walked, like the bones of a skeleton; and as we went I heard behind me the tinkling of a little bell, a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ferragus by Honore de Balzac:

the house has a long, dark, damp, and evil-smelling passage-way, at the end of which flickers the pallid gleam of an oil lamp, and if beneath that gleam appears the horrid face of a withered old woman with fleshless fingers, ah, then! and we say it in the interests of young and pretty women, that woman is lost. She is at the mercy of the first man of her acquaintance who sees her in that Parisian slough. There is more than one street in Paris where such a meeting may lead to a frightful drama, a bloody drama of death and love, a drama of the modern school.

Unhappily, this scene, this modern drama itself, will be comprehended by only a small number of persons; and it is a pity to tell the tale


Ferragus
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Vision Splendid by William MacLeod Raine:

been hearing of this man as a crank agitator who had set himself in opposition to her father and his friends for selfish reasons. Her father had dropped vague hints about his unsavory life. The Stetson write-up had given a very different story. If it told the truth, many things she had been brought up to accept without question would bear study.

James suavely explained. "The facts are true, but not the inferences from the facts. Jeff takes rather a one-sided view of a very complex situation. But he's perfectly honest in it, so far as that goes."

"You voted for his bill, didn't you?" Alice asked.