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Today's Stichomancy for Nick Nolte

The first excerpt represents the past or something you must release, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

The quivering moan of pale Andromache, Now lifted loud with pain and now brought low. It is the soul of sorrow that we know, As in a shell the soul of all the sea. So sometimes in the compass of a song, Unknown to him who sings, thro' lips that live, The voiceless dead of long-forgotten lands Proclaim to us their heaviness and wrong In sweeping sadness of the winds that give Thy strings no rest from weariless wild hands.

To Erinna

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Georgics by Virgil:

Rages through all the universe; as when The four-horse chariots from the barriers poured Still quicken o'er the course, and, idly now Grasping the reins, the driver by his team Is onward borne, nor heeds the car his curb.

GEORGIC II

Thus far the tilth of fields and stars of heaven; Now will I sing thee, Bacchus, and, with thee, The forest's young plantations and the fruit Of slow-maturing olive. Hither haste, O Father of the wine-press; all things here


Georgics
The third excerpt represents the future or something you must embrace, and is drawn from The First Men In The Moon by H. G. Wells:

distinctive skill. The erudite for the most part are rapt in an impervious and apoplectic complacency, from which only a denial of their erudition can rouse them. Usually they are led about by little watchers and attendants, and often there are small and active-looking creatures, small females usually, that I am inclined to think are a sort of wife to them; but some of the profounder scholars are altogether too great for locomotion, and are carried from place to place in a sort of sedan tub, wabbling jellies of knowledge that enlist my respectful astonishment. I have just passed one in coming to this place where I am permitted to amuse myself with these electrical toys, a vast, shaven, shaky head, bald and thin-skinned, carried on his grotesque stretcher. In front and behind came


The First Men In The Moon