| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tales of Unrest by Joseph Conrad: preferred to talk of his native country--a small Bugis state on the
island of Celebes. I had visited it some time before, and he asked
eagerly for news. As men's names came up in conversation he would say,
"We swam against one another when we were boys"; or, "We hunted the
deer together--he could use the noose and the spear as well as I." Now
and then his big dreamy eyes would roll restlessly; he frowned or
smiled, or he would become pensive, and, staring in silence, would nod
slightly for a time at some regretted vision of the past.
His mother had been the ruler of a small semi-independent state on
the sea-coast at the head of the Gulf of Boni. He spoke of her with
pride. She had been a woman resolute in affairs of state and of her
 Tales of Unrest |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Hidden Masterpiece by Honore de Balzac: I shall have no peace until I clear up my doubts. I am about to
travel; I go to Turkey, Asia, Greece, in search of models. I must
compare my picture with various types of Nature. It may be that I have
up THERE," he added, letting a smile of satisfaction flicker on his
lip, "Nature herself. At times I am half afraid that a brush may wake
this woman, and that she will disappear from sight."
He rose suddenly, as if to depart at once. "Wait," exclaimed Porbus.
"I have come in time to spare you the costs and fatigues of such a
journey."
"How so?" asked Frenhofer, surprised.
"Young Poussin is beloved by a woman whose incomparable beauty is
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Human Drift by Jack London: I was their equal.
My method was deliberate, and simple, and drastic. In the first
place, I resolved to do my work, no matter how hard or dangerous
it might be, so well that no man would be called upon to do it for
me. Further, I put ginger in my muscles. I never malingered when
pulling on a rope, for I knew the eagle eyes of my forecastle
mates were squinting for just such evidences of my inferiority. I
made it a point to be among the first of the watch going on deck,
among the last going below, never leaving a sheet or tackle for
some one else to coil over a pin. I was always eager for the run
aloft for the shifting of topsail sheets and tacks, or for the
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pierrette by Honore de Balzac: Brigaut, go!"
She took him by the shoulder and gave him a despotic push to send him
from the room.
"I was coming, my lad, when you wrote me; I am rich,--here, take
this," she cried, recalling him, and unfastening as she spoke the
strings that tied her short-gown. Then she drew a paper from her bosom
in which were forty-two bank-bills, saying, "Take what is necessary,
and bring back the greatest doctor in Paris."
"Keep those," said Frappier; "he can't change thousand franc notes
now. I have money, and the diligence will be passing presently; he can
certainly find a place on it. But before he goes we had better consult
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