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Today's Stichomancy for Nicolas Cage

The first excerpt represents the past or something you must release, and is drawn from Animal Farm by George Orwell:

themselves. The animals listened first to Napoleon, then to Snowball, and could not make up their minds which was right; indeed, they always found themselves in agreement with the one who was speaking at the moment.

At last the day came when Snowball's plans were completed. At the Meeting on the following Sunday the question of whether or not to begin work on the windmill was to be put to the vote. When the animals had assembled in the big barn, Snowball stood up and, though occasionally interrupted by bleating from the sheep, set forth his reasons for advocating the building of the windmill. Then Napoleon stood up to reply. He said very quietly that the windmill was nonsense and that he advised nobody to vote for it, and promptly sat down again; he had spoken for barely thirty seconds, and


Animal Farm
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

honorable maiden did really flee away, under cover of the night, with the young stranger whose life she had preserved. They say, too, that Prince Theseus (who would have died sooner than wrong the meanest creature in the world) ungratefully deserted Ariadne, on a solitary island, where the vessel touched on its voyage to Athens. But, had the noble Theseus heard these falsehoods, he would have served their slanderous authors as he served the Minotaur! Here is what Ariadne answered, when the brave prince of Athens besought her to accompany him:

"No, Theseus," the maiden said, pressing his hand, and then


Tanglewood Tales
The third excerpt represents the future or something you must embrace, and is drawn from Sarrasine by Honore de Balzac:

said. Sarrasine, admiring his mistress' modesty, indulged in serious reflections concerning the future.

" 'She desires to be married, I presume,' he said to himself.

"Thereupon he abandoned himself to blissful anticipations of marriage with her. It seemed to him that his whole life would be too short to exhaust the living spring of happiness which he found in the depths of his heart. Vitagliani, who sat on his other side, filled his glass so often that, about three in the morning, Sarrasine, while not absolutely drunk, was powerless to resist his delirious passion. In a moment of frenzy he seized the woman and carried her to a sort of boudoir which opened from the salon, and toward which he had more than