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Today's Stichomancy for Nicolas Cage

The first excerpt represents the past or something you must release, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

sea,--hurricane-riders wont to spread their canvas-pinions in the face of storms; Sicilian and Corsican outlaws, Manila-men from the marshes, deserters from many navies, Lascars, marooners, refugees of a hundred nationalities,--fishers and shrimpers by name, smugglers by opportunity,--wild channel-finders from obscure bayous and unfamiliar chenieres, all skilled in the mysteries of these mysterious waters beyond the comprehension of the oldest licensed pilot ...

There is plunder for all--birds and men. There are drowned sheep in multitude, heaped carcasses of kine. There are casks of claret and kegs of brandy and legions of bottles bobbing in the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Another Study of Woman by Honore de Balzac:

into worthy brood-hens."

"Alas! it is true," said Joseph Bridau. "In our day we cannot show those beautiful flowers of womanhood which graced the golden ages of the French Monarchy. The great lady's fan is broken. A woman has nothing now to blush for; she need not slander or whisper, hide her face or reveal it. A fan is of no use now but for fanning herself. When once a thing is no more than what it is, it is too useful to be a form of luxury."

"Everything in France has aided and abetted the 'perfect lady,' " said Daniel d'Arthez. "The aristocracy has acknowledged her by retreating to the recesses of its landed estates, where it has hidden itself to

The third excerpt represents the future or something you must embrace, and is drawn from Soul of a Bishop by H. G. Wells:

was an idea so new that it fell upon him now like a thunderbolt out of a cloudless sky. But here, clear in his mind now, was a feeling, amounting to conviction, that it was the purpose and gesture of the true God that he should come right out of the church and all his professions.

And in the first glow of his vision he felt this gesture imperative. He must step right out.... Whither? how? And when?

To begin with it seemed to him that an immediate renunciation was demanded. But it was a momentous step. He wanted to think. And to go on thinking. Rather than to act precipitately. Although the imperative seemed absolute, some delaying and arresting