| The first excerpt represents the past or something you must release, and is drawn from A Second Home by Honore de Balzac: "She is so ill--and no soothing draught, nothing on her table!"
The mother made a vague sign, which Caroline's watchful eye
understood, for she was silent to let her mother speak.
"They brought a priest--to hear my confession, as they said.--Beware,
Caroline!" cried the old woman with an effort, "the priest made me
tell him your benefactor's name."
"But who can have told you, poor mother?"
The old woman died, trying to look knowingly cunning. If Mademoiselle
de Bellefeuille had noted her mother's face she might have seen what
no one ever will see--Death laughing.
To enter into the interests that lay beneath this introduction to my
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Northanger Abbey by Jane Austen: What so natural, as that anger should pass away and
repentance succeed it? And she only wanted to know how far,
after what had passed, an apology might properly be received
by her. But the knowledge would have been useless here;
it was not called for; neither clemency nor dignity
was put to the trial--Eleanor brought no message.
Very little passed between them on meeting; each found
her greatest safety in silence, and few and trivial were
the sentences exchanged while they remained upstairs,
Catherine in busy agitation completing her dress,
and Eleanor with more goodwill than experience intent upon
 Northanger Abbey |
The third excerpt represents the future or something you must embrace, and is drawn from She Stoops to Conquer by Oliver Goldsmith: look out for some less difficult admirer.
HARDCASTLE. Bravely resolved! In the mean time I'll go prepare the
servants for his reception: as we seldom see company, they want as much
training as a company of recruits the first day's muster. [Exit.]
MISS HARDCASTLE. (Alone). Lud, this news of papa's puts me all in a
flutter. Young, handsome: these he put last; but I put them foremost.
Sensible, good-natured; I like all that. But then reserved and
sheepish; that's much against him. Yet can't he be cured of his
timidity, by being taught to be proud of his wife? Yes, and can't
I--But I vow I'm disposing of the husband before I have secured the
lover.
 She Stoops to Conquer |