| The first excerpt represents the past or something you must release, and is drawn from The Duchess of Padua by Oscar Wilde: With sable banners hang each silent street,
Let every man be clad in solemn black;
But ere we turn to these sad rites of mourning
Let us bethink us of the desperate hand
Which wrought and brought this ruin on our state,
And straightway pack him to that narrow house,
Where no voice is, but with a little dust
Death fills right up the lying mouths of men.
GUIDO
Unhand me, knaves! I tell thee, my Lord Justice,
Thou mightst as well bid the untrammelled ocean,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Two Noble Kinsmen by William Shakespeare: before him: like true lovers, cast your selves in a Body
decently,
and sweetly, by a figure trace and turne, Boyes.
1. COUNTREYMAN.
And sweetly we will doe it Master Gerrold.
2. COUNTREYMAN.
Draw up the Company. Where's the Taborour?
3. COUNTREYMAN.
Why, Timothy!
TABORER.
Here, my mad boyes, have at ye.
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The third excerpt represents the future or something you must embrace, and is drawn from Eugenie Grandet by Honore de Balzac: ordinary life. Did not their near relationship warrant the gentleness
in their tones, the tenderness in their glances? Eugenie took delight
in lulling her cousin's pain with the pretty childish joys of a new-
born love. Are there no sweet similitudes between the birth of love
and the birth of life? Do we not rock the babe with gentle songs and
softest glances? Do we not tell it marvellous tales of the golden
future? Hope herself, does she not spread her radiant wings above its
head? Does it not shed, with infant fickleness, its tears of sorrow
and its tears of joy? Does it not fret for trifles, cry for the pretty
pebbles with which to build its shifting palaces, for the flowers
forgotten as soon as plucked? Is it not eager to grasp the coming
Eugenie Grandet |
