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Today's Stichomancy for Nicolas Cage

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

Empire; bust A LA JOSEPHINE; wisps of curls, like celery-tips, at sides of forehead; complexion clear and warm, like rose-cordial. As for the miniatures by Malbone, we don't count them in the gallery.

Books, too, with the names of old college-students in them, - family names; - you will find them at the head of their respective classes in the days when students took rank on the catalogue from their parents' condition. Elzevirs, with the Latinized appellations of youthful progenitors, and HIC LIBER EST MEUS on the title-page. A set of Hogarth's original plates. Pope, original edition, 15 volumes, London, 1717. Barrow on the lower shelves, in


The Autocrat of the Breakfast-Table
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pierrette by Honore de Balzac:

"Was Provins ever a capital?" asked Rogron.

"Why! where do you come from?" exclaimed the archaeologist. "Don't you know," he added, striking the ground of the Upper town where they stood with his cane, "don't you know that the whole of this part of Provins is built on catacombs?"

"Catacombs?"

"Yes, catacombs, the extent and height of which are yet undiscovered. They are like the naves of cathedrals, and there are pillars in them."

"Monsieur is writing a great archaeological work to explain these strange constructions," interposed Monsieur Martener, seeing that the deputy-judge was about to mount his hobby.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Enemies of Books by William Blades:

Britons and Russians. The Russian division was just inside the door, behind ramparts formed of old folios and quartos taken from the bottom shelves and piled to the height of about four feet. It was a wall of old fathers, fifteenth century chronicles, county histories, Chaucer, Lydgate, and such like. Some few yards off were the Britishers, provided with heaps of small books as missiles, with which they kept up a skirmishing cannonade against the foe. Imagine the tableau! Two elderly gentlemen enter hurriedly, paterfamilias receiving, quite unintentionally, the first edition of "Paradise Lost" in the pit of his stomach, his friend narrowly escaping a closer personal acquaintance with a quarto Hamlet

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Great God Pan by Arthur Machen:

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This book prepared by: Brandi Weed brandi@primenet.com

#STARTMARK# THE GREAT GOD PAN


The Great God Pan