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Today's Stichomancy for Nicolas Cage

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass:

due. I found him very angry; he could scarce restrain his wrath. He said he had a great mind to give me a severe whipping. He wished to know how I dared go out of the city without asking his permission. I told him I hired my time and while I paid him the price which he asked for it, I did not know that I was bound to ask him when and where I should go. This reply troubled him; and, after reflecting a few moments, he turned to me, and said I should hire my time no longer; that the next thing he should know of, I would be running away. Upon the same


The Narrative of the Life of Frederick Douglass: An American Slave
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

finger-tips, as if some vivid life (or electricity) was streaming through them far into the spaces of heaven, and of its roots plunged in the earth and drawing the same energies from below. The day was quite still and there was no movement in the branches, but in that moment the tree was no longer a separate or separable organism, but a vast being ramifying far into space, sharing and uniting the life of Earth and Sky, and full of a most amazing activity.

[1] Specimen Days, 1882-3 Edition, p. iii.

The reader of this will probably have had some similar experiences. Perhaps he will have seen a full-foliaged Lombardy


Pagan and Christian Creeds
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Unconscious Comedians by Honore de Balzac:

staircase which led to the loft. He took in these minor details at a glance, with a sense of nausea. It was all quite otherwise alarming than the romantic tales and scenes of German drama lead one to expect; here was suffocating actuality. The air diffused a sort of dizzy heaviness, the dim light rasped the nerves. When the Southerner, impelled by a species of self-assertion, gazed firmly at the toad, he felt a sort of emetic heat at the pit of his stomach, and was conscious of a terror like that a criminal might feel in presence of a gendarme. He endeavoured to brace himself by looking at Madame Fontaine; but there he encountered two almost white eyes, the motionless and icy pupils of which were absolutely intolerable to him.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Two Poets by Honore de Balzac:

"As much as you love Lucien?" he broke in.

"Enough to be your wife, enough to devote myself to you, to try not to add anything to your burdens, for we shall have some struggles; it will not be quite easy at first."

"Dear Eve, have you known that I loved you since the first day I saw you?"

"Where is the woman who does not feel that she is loved?"

"Now let me get rid of your scruples as to my imaginary riches. I am a poor man, dear. Yes, it pleased my father to ruin me; he made a speculation of me, as a good many so-called benefactors do. If I make a fortune, it will be entirely through you. That is not a lover's