Today's Stichomancy for Niels Bohr

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Agesilaus by Xenophon:

that from such training-centres he would presently get a pick of cavaliers proud of their horsemanship. And thus once more he won golden opinions by the skill with which he provided himself with a body of cavalry in the plenitude of strength and ripe for active service.

[11] Instead of the plain {zetoie} of the parallel passage ("Hell." III. iv. 15) the encomiast prefers the poetical {masteuoi}.

On the approach of early spring[12] he collected his whole armament at Ephesus, and set himself to the work of training it. With that object he proposed a series of prizes: one set for the cavalry squadron which rode best, another for the heavy infantry divisions which presented

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Familiar Studies of Men and Books by Robert Louis Stevenson:

grew up healthy, composed, and unconscious from among life's horrors, like a green bay-tree from a field of battle. It was from this lack in himself that he failed to do justice to the spirit of Christ; for while he could glean more meaning from individual precepts than any score of Christians, yet he conceived life in such a different hope, and viewed it with such contrary emotions, that the sense and purport of the doctrine as a whole seems to have passed him by or left him unimpressed. He could understand the idealism of the Christian view, but he was himself so unaffectedly unhuman that he did not recognise the human intention and essence of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Aspern Papers by Henry James:

answering my whole speech: "I am not in the least fond of Venice. I should like to go far away!"

"Has she always kept you back so?" I went on, to show her that I could be as irrelevant as herself.

"She told me to come out tonight; she has told me very often," said Miss Tita. "It is I who wouldn't come. I don't like to leave her."

"Is she too weak, is she failing?" I demanded, with more emotion, I think, than I intended to show. I judged this by the way her eyes rested upon me in the darkness. It embarrassed me a little, and to turn the matter off I continued genially:

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Dynamiter by Robert Louis Stevenson and Fanny Van De Grift Stevenson:

'As a man, no,' replied Somerset; 'but I have no objection to shake hands with you, as I might with a pump-well that ran poison or bell-fire.'

'This is a very cold parting,' sighed the dynamiter; and still followed by Somerset, he began to descend the platform. This was now bustling with passengers; the train for Liverpool was just about to start, another had but recently arrived; and the double tide made movement difficult. As the pair reached the neighbourhood of the bookstall, however, they came into an open space; and here the attention of the plotter was attracted by a STANDARD broadside bearing the