| The first excerpt represents the past or something you must release, and is drawn from Pierre Grassou by Honore de Balzac: Gerard Douw. The cruelly simple and good-humored face of the
executioner completed and dominated the group. This plagiarism, very
cleverly disguised, was not discovered. The catalogue contained the
following:--
510. Grassou de Fougeres (Pierre), rue de Navarin, 2.
Death-toilet of a Chouan, condemned to execution in 1809.
Though wholly second-rate, the picture had immense success, for it
recalled the affair of the "chauffeurs," of Mortagne. A crowd
collected every day before the now fashionable canvas; even Charles X.
paused to look at it. "Madame," being told of the patient life of the
poor Breton, became enthusiastic over him. The Duc d'Orleans asked the
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Vendetta by Honore de Balzac: forced to be content with having impressed upon her father's mind both
her love for Luigi and the idea of an approaching marriage.
The next day she said no more about her love; she was more caressing
to her father than she had ever been, and testified the utmost
gratitude, as if to thank him for the consent he seemed to have given
by his silence. That evening she sang and played to him for a long
time, exclaiming now and then: "We want a man's voice for this
nocturne." Ginevra was an Italian, and that says all.
At the end of a week her mother signed to her. She went; and Elisa
Piombo whispered in her ear:--
"I have persuaded your father to receive him."
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The third excerpt represents the future or something you must embrace, and is drawn from Don Quixote by Miquel de Cervantes: prince; and so long as I think of this I make light of all the
hardships I endure with this simpleton of a master of mine, who, I
well know, is more of a madman than a knight."
"There's why they say that 'covetousness bursts the bag,'" said he
of the Grove; "but if you come to talk of that sort, there is not a
greater one in the world than my master, for he is one of those of
whom they say, 'the cares of others kill the ass;' for, in order
that another knight may recover the senses he has lost, he makes a
madman of himself and goes looking for what, when found, may, for
all I know, fly in his own face."
"And is he in love perchance?" asked Sancho.
Don Quixote |
