| The first excerpt represents the past or something you must release, and is drawn from Dead Souls by Nikolai Vasilievich Gogol: Chichikov retorted by calling the bird a fool, and then himself
approached the window to look at the view. It appeared to comprise a
poulterer's premises. At all events, the narrow yard in front of the
window was full of poultry and other domestic creatures--of game fowls
and barn door fowls, with, among them, a cock which strutted with
measured gait, and kept shaking its comb, and tilting its head as
though it were trying to listen to something. Also, a sow and her
family were helping to grace the scene. First, she rooted among a heap
of litter; then, in passing, she ate up a young pullet; lastly, she
proceeded carelessly to munch some pieces of melon rind. To this small
yard or poultry-run a length of planking served as a fence, while
Dead Souls |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Poems by Bronte Sisters: Though weak, yet longing to believe.
Oh, drive these cruel doubts away;
And make me know, that Thou art God!
A faith, that shines by night and day,
Will lighten every earthly load.
If I believe that Jesus died,
And waking, rose to reign above;
Then surely Sorrow, Sin, and Pride,
Must yield to Peace, and Hope, and Love.
And all the blessed words He said
Will strength and holy joy impart:
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The third excerpt represents the future or something you must embrace, and is drawn from The Lesson of the Master by Henry James: through a long passage to an apartment thrown out, in the rear of
the habitation, for the special requirements, as he guessed, of a
busy man of letters.
St. George was in his shirt-sleeves in the middle of a large high
room - a room without windows, but with a wide skylight at the top,
that of a place of exhibition. It was furnished as a library, and
the serried bookshelves rose to the ceiling, a surface of
incomparable tone produced by dimly-gilt "backs" interrupted here
and there by the suspension of old prints and drawings. At the end
furthest from the door of admission was a tall desk, of great
extent, at which the person using it could write only in the erect
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