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Today's Stichomancy for Niels Bohr

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Memories and Portraits by Robert Louis Stevenson:

transgressed, and your friend says nothing and avoids your eye. If a man were made of gutta-percha, his heart would quail at such a moment. But when the word is out, the worst is over; and a fellow with any good-humour at all may pass through a perfect hail of witty criticism, every bare place on his soul hit to the quick with a shrewd missile, and reappear, as if after a dive, tingling with a fine moral reaction, and ready, with a shrinking readiness, one- third loath, for a repetition of the discipline.

There are few women, not well sunned and ripened, and perhaps toughened, who can thus stand apart from a man and say the true thing with a kind of genial cruelty. Still there are some - and I

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Summer by Edith Wharton:

cut my hand off sooner. I just told him I couldn't spare the horse any longer; and that the cooking was getting too heavy for Verena. I guess he's the kind that's heard the same thing before. Anyhow, he took it quietly enough. He said his job here was about done, anyhow; and there didn't another word pass between us....If he told you otherwise he told you an untruth."

Charity listened in a cold trance of anger. It was nothing to her what the village said...but all this fingering of her dreams!

"I've told you he didn't tell me anything. I didn't

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

the profession I intend to pursue. I know nothing about you. What is that way of life which you invite me to share with you and Sir George Crofts, pray?

MRS WARREN. Take care. I shall do something I'll be sorry for after, and you too.

VIVIE [putting aside her books with cool decision] Well, let us drop the subject until you are better able to face it. [Looking critically at her mother] You want some good walks and a little lawn tennis to set you up. You are shockingly out of condition: you were not able to manage twenty yards uphill today without stopping to pant; and your wrists are mere rolls of fat. Look at

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

curved inward toward each other, bat wings whose beating made no sound, ugly prehensile paws, and barbed tails that lashed needlessly and disquietingly. And worst of all, they never spoke or laughed, and never smiled because they had no faces at all to smile with, but only a suggestive blankness where a face ought to be. All they ever did was clutch and fly and tickle; that was the way of night-gaunts. As the band flew lower the Peaks of Throk rose grey and towering on all sides, and one saw clearly that nothing lived on that austere and impressive granite of the endless twilight. At still lower levels the death-fires in the air gave out, and


The Dream-Quest of Unknown Kadath