The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Memories and Portraits by Robert Louis Stevenson: transgressed, and your friend says nothing and avoids your eye. If
a man were made of gutta-percha, his heart would quail at such a
moment. But when the word is out, the worst is over; and a fellow
with any good-humour at all may pass through a perfect hail of
witty criticism, every bare place on his soul hit to the quick with
a shrewd missile, and reappear, as if after a dive, tingling with a
fine moral reaction, and ready, with a shrinking readiness, one-
third loath, for a repetition of the discipline.
There are few women, not well sunned and ripened, and perhaps
toughened, who can thus stand apart from a man and say the true
thing with a kind of genial cruelty. Still there are some - and I
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Summer by Edith Wharton: cut my hand off sooner. I just told him I couldn't
spare the horse any longer; and that the cooking was
getting too heavy for Verena. I guess he's the kind
that's heard the same thing before. Anyhow, he took it
quietly enough. He said his job here was about done,
anyhow; and there didn't another word pass between
us....If he told you otherwise he told you an untruth."
Charity listened in a cold trance of anger. It
was nothing to her what the village said...but all this
fingering of her dreams!
"I've told you he didn't tell me anything. I didn't
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