| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from St. Ives by Robert Louis Stevenson: after I was demeaning myself in mid-air like a drunken jumping-
jack. I have never been a model of piety, but at this juncture
prayers and a cold sweat burst from me simultaneously.
The line was knotted at intervals of eighteen inches; and to the
inexpert it may seem as if it should have been even easy to
descend. The trouble was, this devil of a piece of rope appeared
to be inspired, not with life alone, but with a personal malignity
against myself. It turned to the one side, paused for a moment,
and then spun me like a toasting-jack to the other; slipped like an
eel from the clasp of my feet; kept me all the time in the most
outrageous fury of exertion; and dashed me at intervals against the
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Eugenie Grandet by Honore de Balzac: chimney-corner facing the door of the secret room. He drew off and
rolled up all the coverings which were laid over him, saying to Nanon,
"Put them away, lock them up, for fear they should be stolen."
So long as he could open his eyes, in which his whole being had now
taken refuge, he turned them to the door behind which lay his
treasures, saying to his daughter, "Are they there? are they there?"
in a tone of voice which revealed a sort of panic fear.
"Yes, my father," she would answer.
"Take care of the gold--put gold before me."
Eugenie would then spread coins on a table before him, and he would
sit for hours together with his eyes fixed upon them, like a child
 Eugenie Grandet |