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Today's Stichomancy for Orson Welles

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mirror of the Sea by Joseph Conrad:

school I was trained in," he said to me almost boastfully, lying back amongst his pillows with a rug over his legs. And it was in that trade that he obtained his first command at a very early age. It was then that he mentioned to me how, as a young commander, he was always ill for a few days before making land after a long passage. But this sort of sickness used to pass off with the first sight of a familiar landmark. Afterwards, he added, as he grew older, all that nervousness wore off completely; and I observed his weary eyes gaze steadily ahead, as if there had been nothing between him and the straight line of sea and sky, where whatever a seaman is looking for is first bound to appear. But I have also


The Mirror of the Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In the South Seas by Robert Louis Stevenson:

been given to us by their possessors - their chief merchandise, for which they had sought to ransom us as long as we were strangers, which they pressed on us for nothing as soon as we were friends. The last visit was not long protracted. One after another they shook hands and got down into their canoe; when Hoka turned his back immediately upon the ship, so that we saw his face no more. Taipi, on the other hand, remained standing and facing us with gracious valedictory gestures; and when Captain Otis dipped the ensign, the whole party saluted with their hats. This was the farewell; the episode of our visit to Anaho was held concluded; and though the CASCO remained nearly forty hours at her moorings, not

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phaedrus by Plato:

remember.

PHAEDRUS: Yes, indeed; that you did, and no mistake.

SOCRATES: Then I perceive that the Nymphs of Achelous and Pan the son of Hermes, who inspired me, were far better rhetoricians than Lysias the son of Cephalus. Alas! how inferior to them he is! But perhaps I am mistaken; and Lysias at the commencement of his lover's speech did insist on our supposing love to be something or other which he fancied him to be, and according to this model he fashioned and framed the remainder of his discourse. Suppose we read his beginning over again:

PHAEDRUS: If you please; but you will not find what you want.

SOCRATES: Read, that I may have his exact words.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Life of the Spider by J. Henri Fabre:

exact space wherein gradually to lay her spiral thread. Moreover, she must not leave any gaps through which her prey might find an outlet.

An expert in these matters, the Spider soon knows the corners that have to be filled up. With an alternating movement, first in this direction, then in that, she lays, upon the support of the radii, a thread that forms two acute angles at the lateral boundaries of the faulty part and describes a zigzag line not wholly unlike the ornament known as the fret.

The sharp corners have now been filled with frets on every side; the time has come to work at the essential part, the snaring-web


The Life of the Spider