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Today's Stichomancy for Orson Welles

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

exchanged, but the low, moved voices in which they passed made them sacred in the memory. In the falling greyness of the evening he watched her figure winding through the morass, saw it turn a last time and wave a hand, and then pass through the Slap; and it seemed to him as if something went along with her out of the deepest of his heart. And something surely had come, and come to dwell there. He had retained from childhood a picture, now half obliterated by the passage of time and the multitude of fresh impressions, of his mother telling him, with the fluttered earnestness of her voice, and often with dropping tears, the tale of the "Praying Weaver," on the very scene of his brief tragedy and long repose. And now there was a companion piece; and he beheld,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass:

I often found myself regretting my own existence, and wishing myself dead; and but for the hope of being free, I have no doubt but that I should have killed myself, or done something for which I should have been killed. While in this state of mind, I was eager to hear any one speak of slavery. I was a ready listener. Every little while, I could hear something about the abolitionists. It was some time before I found what the word meant. It was always used in such connections as to make it an interesting word


The Narrative of the Life of Frederick Douglass: An American Slave
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Virginian by Owen Wister:

that particular honesty which respects another man's cattle. It was not known for certain. But calves had begun to disappear in Cattle Land, and cows had been found killed. And calves with one brand upon them had been found with mothers that bore the brand of another owner. This industry was taking root in Cattle Land, and of those who practised it, some were beginning to be suspected. Steve was not quite fully suspected yet. But that the Virginian had parted company with him was definitely known. And neither man would talk about it.

There was the further news that the Bear Creek schoolhouse at length stood complete, floor, walls, and roof; and that a lady


The Virginian
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maitre Cornelius by Honore de Balzac:

signs of a malignant spirit, a sagacity coldly cruel, that would surely enable him to divine all because he suspected everything. His yellow forehead was wrinkled like those of men whose habit it is to believe nothing, to weigh all things, and who, like misers chinking their gold, search out the meaning and the value of human actions. His bodily frame, though deformed, was bony and solid, and seemed both vigorous and excitable; in short, you might have thought him a stunted ogre. Consequently, an inevitable danger awaited the young lady whenever this terrible seigneur woke. That jealous husband would surely not fail to see the difference between a worthy old burgher who gave him no umbrage, and the new-comer, young, slender, and elegant.