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Today's Stichomancy for Orson Welles

The first excerpt represents the past or something you must release, and is drawn from The Iliad by Homer:

vain. If it be my fate to die at the ships of the Achaeans even so would I have it; let Achilles slay me, if I may but first have taken my son in my arms and mourned him to my heart's comforting."

So saying he lifted the lids of his chests, and took out twelve goodly vestments. He took also twelve cloaks of single fold, twelve rugs, twelve fair mantles, and an equal number of shirts. He weighed out ten talents of gold, and brought moreover two burnished tripods, four cauldrons, and a very beautiful cup which the Thracians had given him when he had gone to them on an embassy; it was very precious, but he grudged not even this, so


The Iliad
The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Old Maid by Honore de Balzac:

character; it was said that she ruled her mistress. Josette and Jacquelin, sure of results, endeavored to hide an inward satisfaction which allows it to be supposed that, as lovers, they had discounted the future. Mariette, the cook, who had been fifteen years in the household, knew how to make all the dishes held in most honor in Alencon.

Perhaps we ought to count for much the fat old Norman brown-bay mare, which drew Mademoiselle Cormon to her country-seat at Prebaudet; for the five inhabitants of the house bore to this animal a maniacal affection. She was called Penelope, and had served the family for eighteen years; but she was kept so carefully and fed with such

The third excerpt represents the future or something you must embrace, and is drawn from The Research Magnificent by H. G. Wells:

flagged passage and a stiff crumpled body that had for the first time an inexpressive face. . . .

14

Benham sat at a table in the smoking-room of the Sherborough Hotel at Johannesburg and told of these things. White watched him from an armchair. And as he listened he noted again the intensification of Benham's face, the darkness under his brows, the pallor of his skin, the touch of red in his eyes. For there was still that red gleam in Benham's eyes; it shone when he looked out of a darkness into a light. And he sat forward with his arms folded under him, or moved his long lean hand about over the things on the table.