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Today's Stichomancy for Orson Welles

The first excerpt represents the past or something you must release, and is drawn from The Gentle Grafter by O. Henry:

butter out of a spring-house, and then turns over a beehive close to a white clover patch out in Indiana for the rest. Then he'd come pretty close to making a meal on the amber that the gods eat on Mount Olympia."

"Too ephemeral," says Caligula. "I'd want ham and eggs, or rabbit stew, anyhow, for a chaser. What do you consider the most edifying and casual in the way of a dinner?"

"I've been infatuated from time to time," I answers, "with fancy ramifications of grub such as terrapins, lobsters, reed birds, jambolaya, and canvas-covered ducks; but after all there's nothing less displeasing to me than a beefsteak smothered in mushrooms on a

The second excerpt represents the present or the deciding factor of the moment, and is drawn from In Darkest England and The Way Out by General William Booth:

to have settled to regular employ, and four were old military men. Of sixty cases examined into at the Bureau and Shelters during the fortnight ending August 2nd, forty-two were country people; twenty-six men who had been in London for various periods; ranging from six months to four years; nine were lads under eighteen, who had run away from home and come up to town; while four were ex-military. Of eighty-five cases of dossers who were spoken to at night when they slept in the streets, sixty-three were country people. A very small proportion of the genuine homeless Out-of-Works are Londoners bred and born.

There is another element in the matter, the existence of which will be news to most people, and that is the large proportion of ex-military


In Darkest England and The Way Out
The third excerpt represents the future or something you must embrace, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island