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Today's Stichomancy for Osama bin Laden

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A House of Pomegranates by Oscar Wilde:

thee gone. There is war in the mountains of Tartary, and the kings of each side are calling to thee. The Afghans have slain the black ox, and are marching to battle. They have beaten upon their shields with their spears, and have put on their helmets of iron. What is my valley to thee, that thou shouldst tarry in it? Get thee gone, and come here no more.'

'Nay,' answered Death, 'but till thou hast given me a grain of corn I will not go.'

But Avarice shut her hand, and clenched her teeth. 'I will not give thee anything,' she muttered.

And Death laughed, and took up a black stone, and threw it into the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

to be visible in the external prosperity of Reuben and Dorcas. The only riches of the former had been his stout heart and strong arm; but the latter, her father's sole heiress, had made her husband master of a farm, under older cultivation, larger, and better stocked than most of the frontier establishments. Reuben Bourne, however, was a neglectful husbandman; and, while the lands of the other settlers became annually more fruitful, his deteriorated in the same proportion. The discouragements to agriculture were greatly lessened by the cessation of Indian war, during which men held the plough in one hand and the musket in the other, and were fortunate if the products of their dangerous


Mosses From An Old Manse
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

introduced them; my palmy veranda in Rawul Pindi; where the teacups used to assemble, was the scene of it. I presided behind my samovar over the early formalities that were almost at once to drop from their friendship, like the sheath of some bursting flower. I deliberately brought them together, so the birth was not accidental, and my interest in it quite legitimately maternal. We always had tea in the veranda in Rawul Pindi, the drawing-room was painted blue, blue for thirty feet up to the whitewashed cotton ceiling; nothing of any value in the way of a human relation, I am sure, could have originated there. The veranda was spacious and open, their mutual observation had room and freedom; I watched it to and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Life and Adventures of Santa Claus by L. Frank Baum:

been, because they were formed from memory, while Blinkie had sat very still for Claus to look at while he worked.

But the new toys pleased the children nevertheless, and the fame of Claus' playthings quickly spread to every cottage on plain and in village. He always carried his gifts to the sick or crippled children, but those who were strong enough walked to the house in the Valley to ask for them, so a little path was soon worn from the plain to the door of the toy-maker's cottage.

First came the children who had been playmates of Claus, before he began to make toys. These, you may be sure, were well supplied. Then children who lived farther away heard of the wonderful images and made


The Life and Adventures of Santa Claus