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Today's Stichomancy for Oscar Wilde

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Riders of the Purple Sage by Zane Grey:

alone, leaning fearfully. Red sunset haze shone through cracks where the wall had split. Jane did not look high, but she felt the overshadowing of broken rims above. She felt that it was a fearful, menacing place. And she climbed on in heartrending effort. And she fell beside Lassiter and Fay at the top of the incline in a narrow, smooth divide.

He staggered to his feet--staggered to a huge, leaning rock that rested on a small pedestal. He put his hand on it--the hand that had been shot through--and Jane saw blood drip from the ragged hole. Then he fell.

"Jane--I--can't--do--it!" he whispered.


Riders of the Purple Sage
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Long Odds by H. Rider Haggard:

the left, and I did the same to the right. But the reeds were still green at the bottom, and we should never have got them well alight had it not been for the wind, which grew stronger and stronger as the sun climbed higher, and forced the fire into them. At last, after half-an-hour's trouble, the flames got a hold, and began to spread out like a fan, whereupon I went round to the further side of the pan to wait for the lions, standing well out in the open, as we stood at the copse to-day where you shot the woodcock. It was a rather risky thing to do, but I used to be so sure of my shooting in those days that I did not so much mind the risk. Scarcely had I got round when I heard the reeds parting before the onward rush of some animal. 'Now for it,' said


Long Odds
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Whirligigs by O. Henry:

began to talk of new shoes, a hogshead of tobacco to set in the corner, a new lock to his rifle; and, leading Martella to a certain spot on the mountain-side, he pointed out to her how a small cannon -- doubtless a thing not beyond the scope of their fortune in price -- might be planted so as to command and defend the sole accessible trail to the cabin, to the confusion of revenues and meddling strangers forever.

But Adam reckoned without his Eve. These things represented to him the applied power of wealth, but there slumbered in his dingy cabin an ambition that

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Garden Party by Katherine Mansfield:

feeling that about butter, at least, she took advantage of their kindness. And she had that maddening habit of asking for just an inch more of bread to finish what she had on her plate, and then, at the last mouthful, absent-mindedly--of course it wasn't absent-mindedly--taking another helping. Josephine got very red when this happened, and she fastened her small, bead-like eyes on the tablecloth as if she saw a minute strange insect creeping through the web of it. But Constantia's long, pale face lengthened and set, and she gazed away--away--far over the desert, to where that line of camels unwound like a thread of wool...

"When I was with Lady Tukes," said Nurse Andrews, "she had such a dainty little contrayvance for the buttah. It was a silvah Cupid balanced on