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Today's Stichomancy for Oscar Wilde

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Three Taverns by Edwin Arlington Robinson:

To endure another like it -- and another -- till I'm dead?"

"Has your tame cat sold a picture? -- or more likely had a windfall? Or for God's sake, what's broke loose? Have you a bee-hive in your head? A little more of this from you will not be easy hearing. Do you know that? Understand it, if you do; for if you won't. . . . What the devil are you saying! Make believe you never said it, And I'll say I never heard it. . . . Oh, you. . . . If you. . . ."

"If I don't?"

"There are men who say there's reason hidden somewhere in a woman, But I doubt if God himself remembers where the key was hung."

"He may not; for they say that even God himself is growing.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Hellenica by Xenophon:

series of events was being enacted on the sea and within the seaboard cities; and these I will now narrate in detail. But I shall confine my pen to the more memorable incidents, and others of less account I shall pass over.

In the first place, then, Pharnabazus and Conon, after defeating the Lacedaemonians in the naval engagement of Cnidus, commenced a tour of inspection round the islands and the maritime states, expelling from them, as they visited them, one after another the Spartan governors.[1] Everywhere they gave consolatory assurances to the citizens that they had no intention of establishing fortress citadels within their walls, or in any way interfering with their self-

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde:

laughingly informed me of the loss, and added that a cab was a very proper place for it. I have explained elsewhere that he looked on his works with disdain in his last years, though he was always full of schemes for writing others. All my attempts to recover the lost work failed. The passages here reprinted are from some odd leaves of a first draft. The play is, of course, not unlike Salome, though it was written in English. It expanded Wilde's favourite theory that when you convert some one to an idea, you lose your faith in it; the same motive runs through Mr. W. H. Honorius the hermit, so far as I recollect the story, falls in love with the courtesan who has come to tempt him, and he reveals to her the secret of the love

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Through the Looking-Glass by Lewis Carroll:

`It's an invention of my own. And now help me on. I'll go with you to the end of the wood--What's the dish for?'

`It's meant for plum-cake,' said Alice.

`We'd better take it with us,' the Knight said. `It'll come in handy if we find any plum-cake. Help me to get it into this bag.'

This took a very long time to manage, though Alice held the bag open very carefully, because the Knight was so VERY awkward in putting in the dish: the first two or three times that he tried he fell in himself instead. `It's rather a tight fit, you see,' he said, as they got it in a last; `There are so many candlesticks in the bag.' And he hung it to the saddle, which


Through the Looking-Glass