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Today's Stichomancy for Oscar Wilde

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Little Britain by Washington Irving:

creep in; factions arise; and families now and then spring up, whose ambition and intrigues throw the whole system into confusion. Thus in latter days has the tranquillity of Little Britain been grievously disturbed, and its golden simplicity of manners threatened with total subversion by the aspiring family of a retired butcher.

The family of the Lambs had long been among the most thriving and popular in the neighborhood; the Miss Lambs were the belles of Little Britain, and everybody was pleased when Old Lamb had made money enough to shut up shop, and put his name on a brass plate on his door. In an evil hour,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Muse of the Department by Honore de Balzac:

making him sit by her. "Besides, we shall be married some day--we have the risks of a sea voyage----"

"I never thought of that," said Lousteau simply; and he added to himself, "Time enough to part when little La Baudraye is safe back again."

From that day forth Etienne lived in luxury; and Dinah, on first nights, could hold her own with the best dressed women in Paris. Lousteau was so fatuous as to affect, among his friends, the attitude of a man overborne, bored to extinction, ruined by Madame de la Baudraye.

"Oh, what would I not give to the friend who would deliver me from


The Muse of the Department
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The King of the Golden River by John Ruskin:

competition therefore seemed to him necessarily feeble in appreciation of the beautiful, and unequal to its creation. In this way loyalty to his mission bred apparent disloyalty. Delightful discourses upon art gave way to fervid pleas for humanity. For the rest of his life he became a very earnest, if not always very wise, social reformer and a passionate pleader for what he believed to be true economic ideals.

There is nothing of all this in "The King of the Golden River." Unlike his other works, it was written merely to entertain. Scarcely that, since it was not written for publication at all, but to meet a challenge set him by a young girl.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from My Antonia by Willa Cather:

Mr. d'Arnault would do to him if he ever found him near the Big House. But the next time Samson had a chance, he ran away again. If Miss d'Arnault stopped practising for a moment and went toward the window, she saw this hideous little pickaninny, dressed in an old piece of sacking, standing in the open space between the hollyhock rows, his body rocking automatically, his blind face lifted to the sun and wearing an expression of idiotic rapture. Often she was tempted to tell Martha that the child must be kept at home, but somehow the memory of his foolish, happy face deterred her. She remembered that his sense of hearing was nearly all he had-- though it did not occur to her that he might have more of it


My Antonia