| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from When the Sleeper Wakes by H. G. Wells: no idealisations, but photographed realities. He
wanted no more of the twenty-second century Venusberg.
He forgot the part played by the model in
nineteenth century art, and gave way to an archaic
indignation. He rose, angry and half ashamed at himself
for witnessing this thing even in solitude. He
pulled forward the apparatus, and with some violence
sought for a means of stopping its action. Something
snapped. A violet spark stung and convulsed his
arm and the thing was still. When he attempted next
day to replace these Tannhauser cylinders by another
 When the Sleeper Wakes |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from U. S. Project Trinity Report by Carl Maag and Steve Rohrer: levels (1; 12).
After ascertaining that radiation levels along the roads leading from
the shelters to Broadway were within acceptable limits, the
radiological safety monitors and military police established
roadblocks at important intersections leading to ground zero. The
north shelter monitor and military police set up a post where the
North Shelter Road ran into Broadway. The west shelter monitor and a
military policeman blocked Vatican Road where it intersected Broadway.
The south shelter monitor and military police set up a roadblock where
Broadway intersected Pennsylvania Avenue (1).
The monitor assigned to Guard Post 4 surveyed the Mockingbird Gap area
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Twelve Stories and a Dream by H. G. Wells: bush upon a little crest, the first intimations of a possible breeze.
Idly he wetted his finger, and held it up.
He pulled up sharply to avoid a collision with the gaunt man, who
had stopped at fault upon the trail. Just at that guilty moment
he caught his master's eye looking towards him.
For a time he forced an interest in the tracking. Then, as they rode
on again, he studied his master's shadow and hat and shoulder,
appearing and disappearing behind the gaunt man's nearer contours.
They had ridden four days out of the very limits of the world into
this desolate place, short of water, with nothing but a strip
of dried meat under their saddles, over rocks and mountains,
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Hiero by Xenophon: [5] Cf. Plat. "Laws," 874 C, "if a man find his wife suffering
violence he may kill the violator and be guiltless in the eye of
the law." Dem. "in Aristocr." 53, {ean tis apokteine en athlois
akon . . . e epi damarti, k.t.l. . . . touton eneka me pheugein
kteinanta}.
[6] See Lys. "de caed Eratosth." S. 32 f., {outos, o andres, tous
biazomenous elattonos zemias axious egesato einai e tous
peithontas . ton men gar thanaton kategno, tois de diplen epoiese
ten blaben, egoumenos tous men diaprattomenous bia upo ton
biasthenton miseisthai, tous de peisantas outos aution tas psukhas
diaphtheirein ost' oikeioteras autois poiein tas allotrias
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