| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Girl with the Golden Eyes by Honore de Balzac: contain opium to send your Argus to sleep; it will be sufficient
to employ six drops; the other will contain ink. The flask of ink
is of cut glass; the other is plain. Both are of such a size as
can easily be concealed within your bosom. All that I have already
done, in order to be able to correspond with you, should tell you
how greatly I love you. Should you have any doubt of it, I will
confess to you, that to obtain an interview of one hour with you I
would give my life."
"At least they believe that, poor creatures!" said De Marsay; "but
they are right. What should we think of a woman who refused to be
beguiled by a love-letter accompanied by such convincing accessories?"
 The Girl with the Golden Eyes |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Critias by Plato: Without regard to the description of Plato, and without a suspicion that
the whole narrative is a fabrication, interpreters have looked for the spot
in every part of the globe, America, Arabia Felix, Ceylon, Palestine,
Sardinia, Sweden.
Timaeus concludes with a prayer that his words may be acceptable to the God
whom he has revealed, and Critias, whose turn follows, begs that a larger
measure of indulgence may be conceded to him, because he has to speak of
men whom we know and not of gods whom we do not know. Socrates readily
grants his request, and anticipating that Hermocrates will make a similar
petition, extends by anticipation a like indulgence to him.
Critias returns to his story, professing only to repeat what Solon was told
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