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Today's Stichomancy for Pablo Picasso

The first excerpt represents the past or something you must release, and is drawn from A House of Pomegranates by Oscar Wilde:

rest.

But when the Star-Child saw her, he said to his companions, 'See! There sitteth a foul beggar-woman under that fair and green-leaved tree. Come, let us drive her hence, for she is ugly and ill- favoured.'

So he came near and threw stones at her, and mocked her, and she looked at him with terror in her eyes, nor did she move her gaze from him. And when the Woodcutter, who was cleaving logs in a haggard hard by, saw what the Star-Child was doing, he ran up and rebuked him, and said to him: 'Surely thou art hard of heart and knowest not mercy, for what evil has this poor woman done to thee

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Scarlet Letter by Nathaniel Hawthorne:

men. At about the centre of the oaken panels that lined the hall was suspended a suit of mail, not, like the pictures, an ancestral relic, but of the most modern date; for it had been manufactured by a skilful armourer in London, the same year in which Governor Bellingham came over to New England. There was a steel head-piece, a cuirass, a gorget and greaves, with a pair of gauntlets and a sword hanging beneath; all, and especially the helmet and breastplate, so highly burnished as to glow with white radiance, and scatter an illumination everywhere about upon the


The Scarlet Letter
The third excerpt represents the future or something you must embrace, and is drawn from The Blue Flower by Henry van Dyke:

him for my lodging than have me go by, and so on--so that at last I consented.

Three minutes' walking from the deserted clearing brought us into a travelled road. It circled the breast of the mountain, and as we stepped along it in the dusk I learned something of my companion. His name was Edward Keene; he taught Latin and Greek in the Hilltop School; he had studied for the ministry, but had given it up, I gathered, on account of a certain loss of interest, or rather a diversion of interest in another direction. He spoke of himself with an impersonal candour.