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Today's Stichomancy for Pablo Picasso

The first excerpt represents the past or something you must release, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

Time would not serve us for report so long. In brief I tell thee, that all these were clerks, Men of great learning and no less renown, By one same sin polluted in the world. With them is Priscian, and Accorso's son Francesco herds among that wretched throng: And, if the wish of so impure a blotch Possess'd thee, him thou also might'st have seen, Who by the servants' servant was transferr'd From Arno's seat to Bacchiglione, where His ill-strain'd nerves he left. I more would add,


The Divine Comedy (translated by H.F. Cary)
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Blue Flower by Henry van Dyke:

They are always uncertain."

I blamed him. "He gives way too much to his moods. He lacks self-control. He is in danger of spoiling a fine nature."

I looked at Dorothy. She defended him. "Why should he be always the same? He is too great for that. His thoughts make him restless, and sometimes he is tired. Surely you wouldn't have him act what he don't feel. Why do you want him to do that?"

"I don't know," said Graham, with a short laugh. "None of us know. But what we all want just now is music. Dorothy, will

The third excerpt represents the future or something you must embrace, and is drawn from Twenty Years After by Alexandre Dumas:

Athos, therefore, commanded Bazin to fasten up his horse and that of Aramis in the same manner.

They then advanced two and two, and saluted each other politely.

"Now where will it be agreeable to you that we hold our conference?" inquired Aramis, perceiving that people were stopping to look at them, supposing that they were going to engage in one of those far-famed duels still extant in the memory of the Parisians, and especially the inhabitants of the Place Royale.

"The gate is shut," said Aramis, "but if these gentlemen


Twenty Years After