| The first excerpt represents the past or something you must release, and is drawn from Lysis by Plato: enmity with itself is not likely to be in union or harmony with any other
thing. Do you not agree?
Yes, I do.
Then, my friend, those who say that the like is friendly to the like mean
to intimate, if I rightly apprehend them, that the good only is the friend
of the good, and of him only; but that the evil never attains to any real
friendship, either with good or evil. Do you agree?
He nodded assent.
Then now we know how to answer the question 'Who are friends?' for the
argument declares 'That the good are friends.'
Yes, he said, that is true.
Lysis |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from War and Peace by Leo Tolstoy: that answer to Princess Mary which she had been unable to write all
the morning. In this letter she said briefly that all their
misunderstandings were at an end; that availing herself of the
magnanimity of Prince Andrew who when he went abroad had given her her
she begged Princess Mary to forget everything and forgive her if she
had been to blame toward her, but that she could not be his wife. At
that moment this all seemed quite easy, simple, and clear to Natasha.
On Friday the Rostovs were to return to the country, but on
Wednesday the count went with the prospective purchaser to his
estate near Moscow.
On the day the count left, Sonya and Natasha were invited to a big
War and Peace |
The third excerpt represents the future or something you must embrace, and is drawn from The Waste Land by T. S. Eliot: but have been corrected here.
210. 'Carriage and insurance free'] 'cost, insurance and freight'--Editor.
218. Tiresias, although a mere spectator and not indeed a 'character',
is yet the most important personage in the poem, uniting all the rest.
Just as the one-eyed merchant, seller of currants, melts into
the Phoenician Sailor, and the latter is not wholly distinct
from Ferdinand Prince of Naples, so all the women are one woman,
and the two sexes meet in Tiresias. What Tiresias sees, in fact,
is the substance of the poem. The whole passage from Ovid is
of great anthropological interest:
. . . Cum Iunone iocos et 'maior vestra profecto est
The Waste Land |
