The first excerpt represents the past or something you must release, and is drawn from The Taming of the Shrew by William Shakespeare: TRANIO.
No, sir, but hear I do that he hath two,
The one as famous for a scolding tongue
As is the other for beauteous modesty.
PETRUCHIO.
Sir, sir, the first's for me; let her go by.
GREMIO.
Yea, leave that labour to great Hercules,
And let it be more than Alcides' twelve.
PETRUCHIO.
Sir, understand you this of me, in sooth:
 The Taming of the Shrew |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Riders of the Purple Sage by Zane Grey: was as if she had been in a dead, hopeless clamp of inaction and
feeling, and had been suddenly shot through and through with
quivering animation. Almost it was as if she had returned to
life.
And Venters thought with lightning swiftness, "I've saved
her--I've unlinked her from that old life--she was watching as if
I were all she had left on earth--she belongs to me!" The thought
was startlingly new. Like a blow it was in an unprepared moment.
The cheery salutation he had ready for her died unborn and he
tumbled the pieces of pottery awkwardly on the grass while some
unfamiliar, deep-seated emotion, mixed with pity and glad
 Riders of the Purple Sage |
The third excerpt represents the future or something you must embrace, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp: and of all he had been to me. What I knew of good he had taught me,
and what I had of happiness was through him. Only once during
all the years we lived together had we been of different opinions
and fallen out, and it was the one time I ever saw him severe.
I was four years old, and demanded one Sunday to be taken
to church. My father said no, for I had never been to church,
and the German service is long and exhausting. I implored.
He again said no. I <88> implored again, and showed such a
pious disposition, and so earnest a determination to behave well,
that he gave in, and we went off very happily hand in hand.
"Now mind, Elizabeth," he said, turning to me at the church door,
 Elizabeth and her German Garden |